5
Screen Structure
Tone Edit 2
COMMON
[HOLD CONTROL] button
Sets whether the sound of the tone is sustained (held)
when you operate the hold pedal.
[VELOCITY CURVE] button
You can select from one of four curves, which affect
how much each type of envelope is applied according
to how hard you play the keys. The envelopes that are
affected include the PITCH ENV, TVF ENV and TVA ENV.
PALETTE
TONE A–TONE D
The last parameter you used is assigned to the TONE
A–TONE D sliders, letting you set the same parameter
for each tone.
Last parameter used
Display (right)
Values set for each tone
TVA
LEVEL
Adjusts the volume of the tone.
[BIAS DIRECTION] button
UPPER: Changes the volume of the high end from
the bias point.
LOWER: Changes the volume of the low end from the
bias point.
U&L: Symmetrically changes the volume of the high
and low end, centered around the bias point.
BIAS POINT
Sets the base key from which the volume is changed.
A value of 64 equals C4 (middle C).
BIAS LEVEL
Sets the slope of volume change respective to the bias
direction. Larger values produce greater change. The
change is inverted when this is set to a “-” value.
A-TOUCH
Sets the degree to which the tone volume changes in
response to aftertouch.
LFO SELECT button
Selects whether to apply either LFO1 or LFO2 to the
tone volume.
LFO
Sets how much LFO1 and LFO2 affect the tone
volume.
TVF
[MODE] button
This button selects the TVF filter type.
HPF: High-pass filter. This cuts off frequencies below
the cutoff frequency. This filter type is useful for
creating percussion sounds and the like that have a
distinctive high end.
BPF: Band-pass filter. This cuts off frequencies except
for those around the cutoff frequency. This filter type is
useful for making sounds with a unique character.
LPF: Low-pass filter. This cuts off frequencies above
the cutoff frequency. Cutting off the high frequencies
makes the sound more mellow. This is the most
frequently-used type.
CUTOFF FREQ
Sets the frequency at which the filter that is applied to
the frequency components of the waveform begins to
take effect (the cutoff frequency).
RESO
Emphasizes the portion of the sound around the cutoff
frequency, adding character to the sound. Excessively
high settings can produce oscillation, causing the
sound to distort.
ENV
This sets the intensity of the TVF envelope. Larger
values produce a greater change in the filter envelope.
Setting this to a negative value inverts the envelope’s
shape.
KEY FOLLOW
Set this to make the cutoff frequency change according
to the keys you play. When you set this to a “+” value,
playing higher notes raises the cutoff frequency
(with the cutoff frequency of the key you specified in
CUTOFF FREQ as the base value); and when you set this
to a “-” value, playing higher notes lowers the cutoff
frequency.
[LFO SELECT] button
Selects whether to apply either LFO1 or LFO2 to the
cutoff frequency.
LFO
Sets how much LFO1 and LFO2 affect the cutoff
frequency.
A-TOUCH
Set this to make the cutoff frequency change according
to how much aftertouch you use.
WG
WAVEFORM
Click to select the waveform to play from the list that
is shown.
GAIN
Specifies the gain (amplitude) of the waveform. The
value will change in 6 dB (decibel) steps. Each 6 dB
increase doubles the gain.
[PITCH COARSE] knob
Shifts the pitch in units of a semitone.
[PITCH FINE] knob
Finely adjusts the pitch in units of one cent.
PITCH RANDOM
Sets the width of change at which the pitch randomly
changes with each key press. To disable this random
change, set this to “0.”
KEY FOLLOW
Sets the width of pitch change when the key is shifted
one octave (12 keys) up. To make the pitch change over
one octave like regular keyboards, set this to “+100.”
To make the pitch change two octaves over the range
of one octave, set this to “+200.” Set this to a negative
value to make the pitch go down as you play higher
notes. To play the same pitch no matter which key you
press, set this to “0.”
[A-TOUCH BEND] button
Sets whether MIDI aftertouch bend messages are
received (ON) or not (OFF).
[BENDER] button
Sets whether MIDI pitch bend messages are received
(ON) or not (OFF).
A-TOUCH MOD
This sets the depth of vibrato that is controlled by
aftertouch. Set the value to the maximum vibrato
depth you want when applying maximum aftertouch.
LFO1/LFO2
Adjusts the intensity at which LFO1/LFO2 modulates
OSC.
LEVER
Sets the depth of vibrato that is controlled by the
modulation lever.
When this is set for LFO1, the LFO1 waveform is used
for vibrato; and when this is set for LFO2, the LFO2
waveform is used for vibrato. Set this to “0” to turn
vibrato off.
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