43
Effects editing parameters
47: TIME SKIP DELAY
A delay that changes the delay time in stair-step fashion.
fig.MFX47
note:
fig.notelist2.e
About THRESHOLD and RATIO
As shown in the diagram below, these parameters determine how
the volume is to be compressed.
fig.Comp.e
Parameter
Value Description
Delay #1
0–4000 ms,
note
Adjusts the time until the delay is
heard.
Skip Rate 0.05–10.0
Hz, note
Frequency at which the delay time
will change
Feedback
#2
-98– +98 % Adjusts the amount of the delay
sound that’s fed back into the effect.
Negative (-) settings invert the
phase.
Accelera-
tion
0–15 Adjusts the time over which the De-
lay Time changes from the current
setting to its specified new setting.
HF Damp 200–8000
Hz, BY-
PASS
Adjusts the frequency above which
sound fed back to the effect is fil-
tered out. If you don’t want to filter
out any high frequencies, set this
parameter to BYPASS.
Pan L64–63R Stereo location of the delay
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output level
L in
R in
L out
R out
2-Band
EQ
Balance W
Balance W
Balance D
Balance D
2-Band
EQ
Feedback
Time Skip Delay
(Double note)(Dotted whole note),
(Dotted half note),
(Dotted thirty-second note),
(Whole note),
(Double-note triplet),
(Sixteenth-note triplet),
(Thirty-second note),
(Sixty-fourth-note triplet), (Sixty-fourth note), (Thirty-second-note triplet),
(Dotted eighth note),(Quarter-note triplet),(Eighth note),
(Half-note triplet),(Quarter note),
(Dotted quarter note),
(Whole-note triplet),
(Half note),
(Sixteenth note),
(Eighth-note triplet),
(Dotted sixteenth note),
Mastering effect
Parameter
Range Explanation
ATTACK
0–100 ms Time from when the volume
goes up THRESHOLD until the
compressor effect applies
RELEASE 50–5000 ms Time from when the volume
falls below THRESHOLD until
the compressor effect no longer
applies
THRESHOLD -36–0 dB Volume level at which com-
pression begins
RATIO 1.00:1–
INF:1
Compression ratio (INF: infini-
ty)
LEVEL 0–24 dB Output volume
Split Frequency
High
2000–8000
Hz
Frequency at which the high-
frequency (HI) and mid-fre-
quency (MID) bands are split
Split Frequency
Low
200–800 Hz Frequency at which the low-
frequency (LO) and mid-fre-
quency (MID) bands are split
1:1
2:1
4:1
INF:1
THRESHOLD
Input Level
Output Level
RATIO
MC-808_Slist_e.book 43 ページ ２００７年９月７日 金曜日 午前１１時１１分
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