Roland MV-30 - Naming and Correcting Tracks

olf
you
wish
to
select
a
different
timbre
whire
recording
lf
you
select
a different
timbre
while
recording, your
selection
will
be recorded
and
played
back
together
with
the
notes
and
other
data
you
recorded.
6&s
-
MEAS
DEC
[-snrrr-l+B
O
A tew
measures
before
you
want
the
timbre
to
change,
press
the
[r5](p.chg)
key.
O
Use
the
VALUE
dial
or the
numeric
keys
to
select
the
desired
timbre
(sound).
@
nt
the
moment
you
want
the
timbre
to change,
press
the
E(CHG/REC)key.
The
serection
(program
change
data)
wiil
be
recorded.
If,
after
the
new
timbre
has
been
selected, you
return
to
the
beginning
of
the
song
and
begin
playback,
you
will
hear
the
timbre
you
just
selected.
This
is
because
the
sound
source
is
still
using
the
last-selected
timbre.
To
prevent
this,
insert
a timbre
number
(program
change)
at
the
beginning
of
the
song,
using
the
following
procedure.
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Track r----------r
IREAI I
lrrve
I
0
White
holding
the
[snrrfl
key,
press
the
F1.l
key
to
return
to the
beginning
of
the
song,
and
press
the
TRACK
tMrendscOpe
I key.
O
Press
the
tirrrSl
key,
and
then
press
the
frdl(p.Chg)
key.
G)
Move
the
cursor
to
the Value
item
at
the right
side
of
the
display,
and
enter
the
timbre
number.
For
example,
if
you
are
using
Timbre
1
(A.
piano),
enter
,,1,,.
@
Press
the
TRACK
IHEA-raMEl
key
to return
to
the
previous
display.
While
listening
to
the
part
you
recorded
on
track
1, record
on
track
2
using
another
timbre.
This
method
of recording
new
tracks
while
listening
to
previously
recorded
tracks
is
called
,,multitrack
recording,,
or
"overdubbing".
OTips
for
multitrack
recording
It is
common
practice
to
record
tracks
in
the
following
order:
drums,
bass,
accompaniment
and
melody.
Recording
the
drums
and
bass
first
establishes
the
rhythmic
feel
and
also
defines
the
structure
of
the
song.
Drums
Bass
Accompaniment
Melody
Multitrack
recording
allows
you
to
create
a song
by
playing
all the
parts
by
yoursel{
.*M
*-
23
ctt