2
CONGRATULATIONS!
You now have the state-of-the-art in feedback con-
trol. The Sabine FBX-SOLO gives you automatic
real-time feedback control for any channel of your
mix. In setup and during the performance, it gives
you more gain and increases the clarity of your
mains and monitors. It's the affordable solution to
feedback problems, perfect for wireless mics, moni-
tors, acoustic/electric instruments, harmonica mics,
multi-mic locations like conference rooms and court-
houses — wherever there's an open microphone.
The FBX-SOLO
incorporates the latest in design
and digital signal processing technology. It auto-
matically senses feedback in a sound system and
determines its pitch. It then places one of its eight
constant "Q" micro-filters on the resonating fre-
quency and eliminates the feedback in typically less
than one second.
Special features of the SL820 and SM820:
• New ultra fast Turbo Setup Mode grabs
feedback at very low levels.
• The SL820 has 1/4" in/out connectors
and input/output level switches for any
combination of ins and outs. The SL is for
use with acoustic/electric guitars and gui-
tar amplifiers, mixer insert points, powered
mixer patch points and high impedance
mics.
• The SM820, with selectable phantom
power, has XLR in/out connectors for
use with balanced microphones.
• Both models offer standard FBX features
like switchable filter widths and lock-
able fixed filters.
• New improved performance - 20 bit A/D
conversion, expanded dynamic range &
up to 8 FBX filters.
HOW CAN THE SOLO BE USED?
Assign a SOLO to any specific mixer channel. You
can also use the SM820 to connect a phantom-
powered mic to a non-phantom-powered mixer.
See SOLO Applications on page 8 & 9.
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