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General| Brand | Tascam |
|---|---|
| Model | 238 |
| Category | Recording Equipment |
| Language | English |
Explains the 238 as part of a larger audio system comprising mixer, inputs, outputs, and processing.
Details the three stages of multitrack recording: tracking, overdubbing, and mixdown.
How the 238 Syncaset connects to external mixing consoles for various operations.
Explains how tape and source signals are switched for monitoring during recording and overdubbing.
Information on track format and tape speed differences compared to standard cassettes.
Covers accidental erase protection, recommended tape types, and optimal tape length.
Steps for changing voltage settings for export units to match local power requirements.
Details tape format, head configuration, motor, tape speed, pitch control, and dimensions.
Input/output levels, impedance, power requirements, and frequency response of the unit.
Frequency response, signal-to-noise ratio, distortion, crosstalk, and erasure specifications.
Guide to connecting the Syncaset to a system using shielded cables.
How to adjust recording levels via the external mixer.
How to set up monitoring for recorded material and source signals.
Step-by-step guide to recording the initial track as a rhythm base.
Process of recording new parts over existing tracks while monitoring.
Techniques for recording over specific sections of a track to correct errors.
Using rehearsal mode for setting and previewing punch-in/out points.
Performing a 'dry run' of punch-in operations to check timing and levels.
Methods to stop, clear, or exit rehearsal settings and return to normal operation.
Executing automated punch-in recording using preset start, in, and out points.
Tips for selecting clear points and anticipating cues for precise inserts.
Combining recorded tracks to free up tracks for new recordings.
Advice on bouncing, avoiding crosstalk, and material suitability for the process.
Practical steps illustrating how to bounce tracks 1-4 to track 8.
Process of mixing all 8 tracks down to a stereo master recording.
Using track 8 for recording MIDI/FSK sync signals for synchronization.
Playing back sync tones from track 8 for sequencers or MIDI converters.
Notes on using the TAPE SYNC switch and potential issues with crosstalk.
Description of the front panel buttons, switches, and displays for operation.
Operation of the shuttle knob, counter display, and tape speed switches.
Details on MEMO, CHECK, LOC, RTZ, and REPEAT functions for tape positioning.
Managing MEMO points, LOC, RTZ, and REPEAT functions for precise cueing.
Using the RHSL button for setting up and previewing punch-in/out sequences.
Automating punch-in/out sequences and clearing memory settings.
Function of the INSERT button and interpretation of status LEDs.
Details on rear panel switches like TAPE SYNC, LEVEL, FILTER, and DBX NR.
Explanation of the dbx noise reduction system and its benefits for dynamic range.
Using the RS-232C port for computer control, synchronization, and advanced functions.
Addressing low-frequency noise and interference that can affect tape sync.
Detailed steps for cleaning heads, pinch roller, and capstan shaft for optimal performance.
Details on the RC-88 Remote Control Unit and RC-30P Punch-in/out Foot Switch.
Guidance on cleaning the unit's exterior and avoiding cosmetic damage.
Information on compatible TASCAM mixers and cleaning kit contents.
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