Two Notes Torpedo Reload - Silent REPLAY; The Full Setup: DI + LOADBOX + Miking

Connecting the Torpedo Reload
5.1 Silent REPLAY™
We shall assume here that the DI setup presented above ("3 Di recording") is already operational. On
track 1 of your sequencer you have recorded the sound sample of a dry guitar signal.
1. Route Track 1 so its output is sent to your audio interface’s output 3, if 1 & 2 are used as Master
output. It is important you use a different output from the Master one. This way you can hear the
replayed track on the Master output, while sending the dry track to another output. If you only
have 2 outputs, you can use output 1 to send track 1 and output 2 to hear the newly recorded
replayed signal.
2. Connect the interface’s output 3 into the REPLAY™ input.
3. Connect the REPLAY™ output to your amplifier’s input.
4. Connect your amplifier’s output to the Torpedo Reload’s speaker input.
5. Connect the Torpedo Reload’s Loadbox to your second microphone preamplifier (or channel
2 of the mixer, preamp 2 on the audio interface).
6. Connect the preamplifier to the Line channel input 2 on your audio interface.
7. Activate Track 2 for recording & live monitoring, select channel 2 as an input
8. You can insert Torpedo Wall of Sound on the track so you can perform (non-destructive) miking
while recording the dry signal of the amplifier.
9. Start recording!
5.2 The full setup: DI + LOADBOX + miking
In the previous setup we decided to achieve a silent REPLAY™, but you can perform some tradi-
tional miking at the same time, with a controlled sound level thanks to the Torpedo Reload’s power
attenuator.
1. Connect a cabinet to the Torpedo Reload’s speaker output, set the appropriate volume for the
cabinet using the SPEAKER potentiometer.
24 Two Notes Audio Engineering Torpedo Reload