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15
24
34
56
56
34
24
15
_r
L
Symmetrical
Placement
Listening
Position
_r
SK9
L
31
By
overlaying
the
width
and
length
graphs,
we
can
see
the
intersection
points
of
the
lines.
These
points
represent
where
the
centers
of
the
speakers
should
be
placed
to
minimize
nodes
and
anti-nodes.
15
24
34
56
56
34
24
15
72
43
31
24
As
you
can
see,
we
now
have
quite
a
few
intersec¬
tions
to
choose
from
in
our
example
room.
Some
of
the
intersections
in
your
room
will
probably
be
eliminated
by
aesthetic
or
room
function
considerations,
so
you
probably
will
not
have
as
many.
As
you
try
different
placements
for
your
speakers,
always
place
both
speakers
on
the
same
length
line.
For
example,
both
speakers
would
be
placed
on
the
43
inch
line
or
both
speakers
would
be
placed
on
the
24
inch
line.
The
speakers
can
be
placed
on
different
width
lines,
for
example
one
on
the
34
inch
line
and
the
other
on
the
56
inch
line.
Placing
the
speakers
on
dif¬
ferent
rather
than
matching
width
lines
will
require
that
the
listening
position
be
offset
to
center
it
between
the
speakers.
Often,
the
bass
response
of
the
system
will
be
slightly
more
linear
with
the
speakers
placed
on
dif¬
ferent
width
lines,
(asymmetrical
placement)
while
the
imaging
will
often
be
better
with
the
speakers
placed
on
matching
width
lines
(symmetrical
placement).
r
34
Asymmetrical
Placement
Listening
Position
56
Q
31
After
listening
to
the
speakers
centered
on
the
charted
intersections,
you
should
listen
with
the
speakers
a
couple
of
inches
away
from
the
intersection
points
in
each
direction.
In
some
cases,
the
speakers
will
sound
better
slightly
off
the
intersections
due
to
the
particular
characteristics
of
your
room
or
a
slight
error
in
your
original
room
measurements.
Both
speakers
should
be
moved
the
same
amount
forward
or
back¬
ward
when
fine-tuning
placement.
It
J
k
1
r
*
34
Up
to
2
inches
Listening
Up
to
Position
_J
2
i
ir
ches
L
34
1
2
1
r
Vandersteen
Audio,
Inc.
8

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