Need help?Do you have a question about the Yamaha PM4000 and is the answer not in the manual?
General| Type | Analog Mixing Console |
|---|---|
| Faders | 100 mm |
| Aux Sends | 8 |
| Groups | 8 |
| EQ | 4-band |
| Bus System | 8-bus |
| Matrix | 4 |
| Outputs | Aux |
| Phantom Power | 48V |
| Effects | None built-in |
| Frequency Response | 20Hz - 20kHz |
| Signal to Noise Ratio | 80dB |
| Power Supply | AC 100V to 240V |
Details the features and controls found on the PM4000's front panel.
Comprehensive description of the controls and functions of the mono input module.
Detailed explanation of the controls and functions of the stereo input module.
Explains the controls and functions of the master modules, including matrix and group sections.
Describes the controls for the stereo bus and stereo aux busses.
Details the functions of the talkback and oscillator sections.
Explains how to monitor signals using the monitor module.
Describes the VU meters, peak LEDs, and meter assignment switches.
Details the rear panel connectors and features of the console.
Details the rear panel input, insert, and direct out connectors for mono modules.
Details the rear panel connections for stereo input modules.
Covers cooling fans and lamp connectors on the rear panel.
Information on the power supply unit, its indicators, and connectors.
Lists general technical specifications for the mixing console.
Details input levels, impedance, and sensitivity for various connections.
Details output levels, impedance, and connector types.
Provides physical dimensions for the PM4000 console in various configurations.
Guidance on planning the physical setup and cable management for the console.
Essential information on power supply, voltage, and grounding for safe operation.
Instructions on safely grounding equipment using 2-wire outlets.
How to identify and address AC outlets with missing or faulty ground connections.
Addresses issues and risks associated with AC outlets having a lifted neutral connection.
Important safety tips for working with AC power and outlets.
Recommendations for clean and reliable power sources, including surge protection.
Guidance on the proper order for powering up audio equipment to manage power surges.
Explains fundamental grounding principles for safety and noise reduction.
Explains the critical role of grounding for safety and noise reduction in audio systems.
Identifies ground loops as a common cause of hum and noise in audio systems.
Discusses four fundamental approaches to handling grounds in audio systems.
Explains how balanced lines and ground lift switches help eliminate noise.
Covers types of audio connectors and cables essential for system performance.
Recommends specific cable types and construction for optimal audio performance.
Guidelines for routing audio and AC power cables to prevent interference.
Compares balanced and unbalanced wiring systems, their applications, and costs.
Discusses the advantages and disadvantages of using input transformers in audio setups.
Explains how cable impedance and length affect noise susceptibility and signal loss.
Details the construction and usage of a passive direct box for guitars.
Explains the design and power options for an active direct box.
Categorizes audio signal levels (Mic, Line, Speaker) for system setup.
Explains dynamic range and its relationship to signal levels and system performance.
Provides a systematic approach to setting levels for optimal gain structure.
Guides on choosing headroom values based on program material and application needs.
Step-by-step instructions for safely removing and installing console modules.
Explains how to set the direct out point to pre-fader/EQ or post-fader/EQ.
Details how to configure mono aux sends for pre-fader/EQ or pre-fader/post-EQ.
Explains how the stereo cue/solo switch relates to pre-fader signals and meter pre.
Describes how to set the MT PRE switch for post-fader or post-ON switch operation.
Explains how to configure stereo input insert points for pre-EQ or post-EQ operation.
Details how to configure stereo aux sends for pre-fader/EQ or pre-fader/post-EQ.
Explains how to select signal sources for stereo aux sends as mono or stereo pairs.
Describes signal sourcing for stereo aux sends 1 & 2 as mono or stereo pairs.
How to assign stereo input signals to monitor module inputs ST IN 3 or ST IN 4.
Explains how to change polarity for both L/R inputs or only the L input.
How to use jumpers to enable/disable module outputs to group, stereo, and aux busses.
How to set group-to-matrix signal feed as pre or post group master fader.
How to set stereo master to matrix signal feed as pre or post stereo master fader.
Step-by-step guide for installing optional input transformer kits.
Discusses setting up the console for optimal gain structure and signal levels.
Explains the principles of setting proper gain structure for optimal signal quality.
Identifies factors like gain, attenuation, and signal summing that influence gain structure.
Guides on setting input channel PAD, GAIN, and fader levels for optimal signal.
Steps for calibrating group master faders and bus levels for optimal mix.
Guidance on adjusting aux send master controls for optimal mix levels.
How to calibrate mix matrix controls for desired output mixes.
How to set levels for auxiliary return signals coming from external processors.
Explains how VCA Master Faders affect channel gain and overall structure.
Discusses how channel muting impacts gain structure and mix levels.
Explains what a VCA is and its advantages in console operation, especially for grouping.
Differentiates between conventional group busses and VCA master grouping for control.
Explains how to use insert jacks for alternative line inputs, saving time and patching.
Details the PM4000's mix matrix, its 11x8 configuration, and creation of multiple mixes.
How the mix matrix can be used to feed house sound systems and create zone mixes.
How to use matrix sub inputs to incorporate effect returns into specific mixes.
Discusses using matrix sub inputs for playback, testing, and creating additional groups.
How the mix matrix can create different mixes for various scenes or setups.
Explains the master mute system, mute assign switches, and their use in managing channels.
How to utilize stereo panning between group busses for flexible mix creation.
Discusses the PM4000's suitability for live sound, TV, AV, and general recording applications.
Details features ideal for theatrical sound reinforcement, including mute groups and VCAs.
Explains how the PM4000 facilitates soundtrack recording and live sound mixing.
How the console's features aid in mixing sound effects, music, and dialog for post-production.
How the PM4000's capabilities support high-quality video sound production.
Highlights features beneficial for live sound reinforcement, including EQ and panning.
Discusses fundamental setup concepts for optimizing the console's performance.
Explains how to derive stereo mixes using group busses and master faders.
How the mix matrix can create up to 10 subgroups from groups and the stereo bus.
Methods for generating multiple independent stereo or mono mixes using the matrix.
How to combine VCA and Group Master Faders for 16 subgroup control for stereo output.
Using multiple VCA Masters to manage different levels for input channels across scenes.
Instructions for cleaning the console exterior, power supply, and interior safely.
Advises on cleaning the console interior to prevent premature wear and component failure.
Information regarding replacement of meter illumination LEDs.
A guide to diagnosing and resolving common issues when no output is present.
Provides contact information for Yamaha dealers and service centers for trouble resolution.
To Next Page
