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Adobe 22011292 - Audition - Page 284

Adobe 22011292 - Audition
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CHAPTER 13
270
Navigating the Multitrack View
Off-Line Effects can be used on waveforms that are part of a Multitrack Session, but not in real-time. You’ll need to switch
to Edit View before you can apply them. Off-Line Effects are destructive, which means they always physically change the
waveform they’re applied to. (Don't worry – if Undo is active, you can easily reverse the “destruction”.)
Multitrack Effects may only be used in the Multitrack View.
Real-Time Effects include:
• Amplitude: Channel Mixer, Dynamics Processing, Hard Limiting, Pan/Expand, and Stereo Field Rotate
• Delay Effects: Chorus, Delay, Dynamic Delay, Echo, Echo Chamber, Flanger, Full Reverb, Multitap Delay, Quick Verb,
Reverb, and Sweeper Phaser
• Filters: Dynamic EQ, Graphic Equalizer, Graphic Phase Shifter, Notch Filter, and Parametric Equalizer
• Special: Convolution and Distortion
• Time/Pitch: Stretch
Off-Line Effects include:
• Amplitude: Amplify, Envelope, and Normalize
• Generate: DTMF Signals, Insert Audio From CD, Noise, and Tones
• Filters: FFT Filter, Quick Filter, and Scientific Filters
• Noise Reduction: Clip/Pop Eliminator, Clip Restoration, Hiss Reduction, and Noise Reduction
• Special: Binaural Auto-Panner
• Analyze: Statistics
• Time/Pitch: Doppler Shifter and Pitch Bender
Multitrack effects include:
• Envelope Follower
• Frequency Band Splitter
• Vocoder
Assigning a Real-Time Effect to a track
There are several ways to add a Real-Time Effect to a track, but here are the two most common.
The Organizer Window Way:
1 If you don’t have the Organizer Window open, press the F9 key to display it.
2 Click on the Effects tab of the Organizer Window.
3 Choose the desired Real-Time Effect from the list. (Notice that the names of the non-Real-Time Effects are disabled
or “grayed out”.)

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