Sound Reinforcement
STUDIO 24 REFERENCE MANUAL 7 3
USING MONITOR 1/2 AS THE PA MIX DURING
MULTITRACK RECORDING
You may run into some situations where you need the opposite hookup from the
above, especially with acoustic jazz or folk recordings where a minimum of PA or
monitoring is needed, but the recording must be digitally pristine. For example,
suppose you’re recording in a very small club, and only the vocalist needs any sound
reinforcement because the instruments are loud enough acoustically or through their
own amplifiers.
1 Use MON 1/2 as the PA feed, with only 3 channels used (one for vocal, and two
effect returns).
2 Use Group 1 as a mono drum mix, Group 3 as a mono keyboard mix, the L/R
master as a stereo guitar mix (there were acoustic and electric guitars, both in
stereo). Patch these four outputs (Groups 1/2 and L/R) to the first four tracks of
the recorder.
3 Patch the vocal and bass from their respective TAPE OUTs without assigning
them to any of the main outputs:
Voila, an 6-track digital recording that is easy to manage, and a happy audience and
vocalist.
The point of all these techniques is: don’t limit yourself in how you use the different
sections of the Studio 24. What works in one situation will require a different
solution in another.
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