Need help?Do you have a question about the ALLEN & HEATH GL2200 and is the answer not in the manual?
General| Type | Analog Mixing Console |
|---|---|
| Stereo Inputs | 2 |
| Talkback | Yes |
| Total Harmonic Distortion | <0.008% at 1kHz |
| Faders | 100mm |
| Power Supply | Internal |
| Buses | 4 |
| Aux Sends | 6 |
| Phantom Power | Yes (+48V) |
| Metering | 12-segment LED |
| Frequency Response | 20Hz to 20kHz |
| Noise (EIN) | -128dBu |
| Channels | 24, 32, or 40 |
| EQ | 4-band, 2 sweepable mids |
Specifies the conditions that must be met for warranty coverage.
Information on the internal power supply and fuse replacement.
Defines the pinouts and wiring conventions for XLR and TRS jacks.
Explanation of how to integrate external processors via insert jacks.
Information on using direct outputs for multitrack recording or external processing.
Physical dimensions of the GL2200 models for installation and transport.
Controls the output level for each auxiliary send mix.
Techniques for grouping channels for simultaneous control and routing.
Details on connecting a lamp for console illumination.
How to connect and use external tape recorders for recording and playback.
Explanation of the headphone monitoring and bargraph meter system.
Functionality of the mono output and its source selection.
Description of the main stereo outputs, faders, mute, and AFL.
Using the 1kHz sine wave for setup and calibration.
Using pink noise for acoustic analysis and system checks.
How to use the talkback microphone input for communication.
Application of insert points for signal processing devices.
How graphic equalisers are used to optimize room acoustics.
Connecting to multitrack recorders via direct outputs.
Routing aux sends for effects or monitor feeds in an FOH setup.
Setting up the engineer's personal monitoring wedge.
Using talkback to communicate with performers via stage monitors.
Using compressors/limiters to manage dynamic range in sound systems.
Connecting multitrack recorders in a dual mode setup.
To Next Page