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General| Channels quantity | 32 channels |
|---|---|
| Digital sound processing | - bit |
| Number of EQ bands per channel | 4 |
| Microphone in | Yes |
| Headphone connectivity | 6.3 mm |
| DJ mixer | - |
| Product color | Black, Grey |
| Video capability | No |
Weight and Dimensions| Depth | 560 mm |
|---|---|
| Width | 1025 mm |
| Height | 150 mm |
| Weight | 26500 g |
Warning against opening the console without authorization for safety.
Guidelines for connecting the console to appropriate power outlets.
Essential information on proper equipment grounding for safety and performance.
Advice to prevent damage and electric shock by avoiding water exposure.
Instructions to ensure adequate airflow for optimal console performance.
Recommendations for console placement to prevent heat or vibration damage.
Guidance on when to seek professional service for the console.
Steps for correctly installing the mixing console.
Explanation of grounding importance for operator safety and audio performance.
Function and use of the +48V phantom power switch for microphones.
How to reverse signal polarity for phase correction or mic placement.
Selecting between MIC XLR and LINE TRS inputs, with pad function.
How to set the input sensitivity for optimal signal levels.
Guidance on setting gain structure and channel levels for best performance.
Adjusting the level of signal sent to each of the 6 aux outputs.
Configuring aux sends to be pre-fader or post-fader.
How to mute the channel signal from all outputs.
Using PFL to monitor the channel signal before the fader.
Selecting signal paths to LR mix, groups, or other outputs.
The main fader for controlling the channel's output level.
How stereo signals are summed for aux sends.
Muting the stereo channel signal.
Monitoring the stereo channel signal before the fader.
Routing stereo signals to LR and odd/even groups.
The main fader for controlling the stereo channel's output level.
Level adjustment for aux mixes, also acting as group masters.
Monitoring aux mixes using AFL before the output mute.
Monitoring group or aux mixes using AFL.
The fader for controlling group mix output levels.
Guidance on setting input and output levels for optimal signal-to-noise ratio and headroom.
How to use Pre-Fade Listen (PFL) and After-Fade Listen (AFL) for monitoring.
Combining multiple stereo sources into a single stereo channel.
How to set internal option jumpers for alternative console settings.
Changing pre/post fader settings for channel aux sends.
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