5
SPOTLIGHT
4. CONTROL ELEMENTS
1
2
1 MIC INPUT (1 to 2)
Your is equipped with 2 low-noise microphone preamplifiers
with optional phantom power, 50 dB of Gain and 115 dB of S/N ratio. You can
connect almost any type of microphone. Dynamic microphones do not need
phantom power. Use phantom power only with condenser microphones but
make sure that the phantom power button is disengaged before connecting the
microphone. Phantom power will not damage your dynamic microphones but it
may damage tube or ribbon microphones so make sure to read the microphone
instructions manual before engaging phantom power. Use switch (24) to
activate/deactivatephantom power. These two channels are also equipped with
1/4" TRS balanced/unbalanced LINE-IN plugs to connect line-level instruments
such as keyboards, drum machines and effect devices.
LYNX-MIX62(FX)
NOTE: Never try to connect a line-level signal to the XLR MIC input when the
phantom power is engaged or you may seriously damage your equipment.
2 STEREO LINE INPUTS (3 to 6)
These are channels 3/4, and 5/6. They are organised in stereo pair and provided
with 1/4" TRS phone sockets. If you connect only the left jack, the input will
operate in mono mode, that is the mono signal will appear on both input
channels. You can use these inputs with a stereo keyboard, drum machine, etc.
3 GAIN
This control is provided with 2 different indication rings: one is for 1-2 channels,
with a range of 0~50dB when MIC is used and a range of +15~-35dB when
LINE is used, the other for 3-6 channels with a range of +20~-20dB. For
optimum operation, you shall set this control in a way that the PEAK LED will
light up only occasionally in order to avoid distortion on the input channel.
3
4
5
6
10
7
8
9
BAL/UNBAL BAL/UNBAL
LINE LINE
1 2 3/4 5/6
GAIN GAIN
MIC MIC
+15 +15
-35 -35
LINE LINE
dB dB
50 50
00
LINE LINE
GAIN GAIN
R
L(MONO) L(MONO)
R
dB dB
+20 +20
-20 -20
CTRL ROOM
AUX RETURNS
R
L
R
L
IN
CD/TAPE
OUT
R
AUX SENDS
L
MAIN MIX(BAL/UNBAL)
LRLR
PHONES
1
MON
2
FX
X-
IX X
62
12
3
J.T.
J.T.
12
3
J.T.
J.T.
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