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Casio VZ-10M - Page 46

Casio VZ-10M
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13
TREMOLO
Parameters
0/8
_|
MENU
1
—
VALUE
—
MENU
1
—
VALUE
WAVE=TRIANGLE/SAW
UP/
DELAY
=00~99
MULTI=ON/OFF
Pages|
1
|
Graphic
Editing
‘YES
Domain
|
GLOBAL
Related
Functions
(MENU
1-14)
f
|Fiaeue'
seen
ue
peeTH=se
ire
=e
BeLav=i®
focrt=o
‘A
Tremolo
is
a
form
of
low-frequency
oscillation
which
af-
fects
the
DCA
to
produce
cyclical
changes
in
volume
characteristics.
The
parameters
in
this
function
are
used
to.reate
a
“tremolo”
effect
globally.
Note,
however,
that
Settings
for
parameters
in
MENU
1-14
(AMP
SENS)
can.
bbe
made
independently
for
each
module,
This
allows
you
to
control
the
depth
of
each
module
independently,
while
settings
in
the
TREMOLO
function
(MENU
1-13)
are
used
to
create
and
control
the
“actual”
tremolo
oscillation.
‘The
WAVE
parameter
lets
you
choose
the
basic
waveform
Of
the
tremolo
oscillation.
There
are
4
—
SQUARE,
SAW
DOWN,
SAW
UP,
and
TRIANGLE.
(See
information
be-
low
for
details
on
how
various
types
of
waveforms
affect
volume
changes.)
‘You
can
use
the
DEPTH
parameter
to
set
the
“depth”
of
tremolo
oscillation
(how
strong
the
tremolo
is).
The
larger
the
value,
the
deeper
the
tremolo
effect.
(If
this
parameter
is
set
to
00",
no
tremolo
will
be
generated.
Be
sure
to
raise
this
level
before
altering
other
parameter
settings.)
[WAVEFORMS}
‘The
RATE
parameter
is
used
to
set
the
“speed”
of
tremolo
oscillation.
The
higher
the
value,
the
faster
the
tremolo
effect.
‘The
DELAY
parameter
is
used
to
set
the
period
of
time
from
initial
key
depression
until
the
point
where
tremolo
oscillation
begins.
The
larger
the
value,
the
longer
the
de-
lay
before
tremolo
is
applied,
‘The
MULTI
parameter
features
a
toggle
which
can
be
set
to
either
ON
or
OFF.
When
MULTI
is
set
to
ON,
the
tremolo
effect
is
engaged
independently
as
Note
On
mes-
sages
are
received,
so
that
each
note’s
tremolo
is
indepen
dent
(not
synchronized
with
tremolo
delay
and
oscillation
Of
messages
received
previously
or
subsequently).
When
this
parameter
is
set
to
OFF,
tremolo
oscillation
is
synched
for
all
keys,
regardless
of
when
the
note
on
messages
are
received
(in
unison
or
independently).
NOLLYNIGWOD
|
TVIHON
|
Triangle
~
produces
a
smooth
“pulsating”
volume
shift
Saw
Up
~
produces
a
repeating
rise
and
then
cutoff
in
volume.
‘Saw
Down
~
produces
a
repeating
“swoop”
down
in
volume.
‘Square
—
produces
an
“on
and
off
volume
characteristic.