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(20) Level display - MASTER 1
The level display will supply information about the output level of MASTER 1.
The display should not exceed the "0dB” value, if possible, as otherwise distortion in
the music signal can occur. The display is separate for each channel (L and R).
(21) Switch - MONO/STEREO
Using this switch, the output signal of the miser is switched between mono (left and
right output signal is the same) and stereo.
(22) Level displays of the individual channels
The level displays will supply information about the input level of the individual chan-
nels.
The display should not exceed the "0dB” value, if possible, as otherwise distortion in
the music signal can occur.
(23) Sound control - HIGH/MID/LOW
Using these controls, the sound of the signal of the inputs (CH 1-5 and DJ MIC) can
be set.
HIGH influences the play-back in the high-tone range
MID influences the play-back in the medium-tone range
LOW influences the play-back in the bass-tone range
Left control stop = maximum reduction
Right control stop = maximum increase
Central position = no influence by the control
(24) Control - GAIN
Using this rotating control, individual channels can be adapted to the output level of
the signal source concerned (record player, CD player etc.) .
Position "MIN” = mixer input is very insensitive
Position "MAX” = mixer input is very sensitive
The correct setting for the control is described in the section "Commissioning”.
(25) Input selection switch
Using the switches, you can select between the individual inputs of the channels.
The switches bear the same labels as the connection sockets on the rear.
Example:
Switch CH-3 in position PHONO 1 means that the signal of the record player has
been assigned to the socket PHONO 1 to CH-3.
(26) Control - TRIM OUTPUT
Using this control, the output level of the output MASTER 1 is influenced.
This control serves the basic setting of the output signal and optimum adaptation to
the downstream end stage.
The further the control is turned in the clockwise direction, the greater (louder) the
output signal.
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Screw terminals GND (40)
If your record player has its own earth cable (usually a thin, black cable with clamp-
type socket), connect this to the earth terminals. This helps in avoiding buzzer dis-
turbances.
Connection DJ MIC (1)
You can connect a microphone either XLR or 6.3-mm jack to this combination input.
Connection of the outputs
Connections - MASTER L / MASTER R (28)
There are two symmetrical XLR outputs available to you. Connect (if existent) the
symmetrical input of your final amplifier here.
This output transmits the same signal as the output MASTER 1 (30) but in symmetri-
cal form.
If you have a final amplifier with symmetrical inputs, this output should be selected
as it is appreciably less sensitive to disturbance than a cinch output.
MASTER L transmits the left signal, MASTER R the right signal of the mixer.
Connections - MASTER 1 (30) and MASTER 2 (29)
Two stereo cinch outputs MASTER 1 and MASTER 2 are available to you. Connect
your final amplifier here.
Use a free cinch input of your final amplifier as input (e.g. AUX).
The white cinch output socket of the mixer is connected to the left amplifier input.
The red cinch output socket of the mixer is connected to the right amplifier input.
Connections - REC (31)
Recording devices such as, for example, cassette decks and tape recorders can be
connected to these sockets.
If you wish to record the output signal of the mixer with a cassette recorder, connect
the recorder input of the cassette deck here.
The white output socket of the mixer is connected with the left input.
The red cinch output socket of the mixer is connected to the right amplifier input.
Headphone socket PHONES (13)
Connect a stereo headphone to the headphone socket by means of a 6.3 mm jack.
The headphone must have impedance of at least 32 Ohm as otherwise maladjust-
ment can occur.
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