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dbx 160X - Page 15

dbx 160X
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OPERATING
NOTES
dbx
Professional
Products
While
it
is
true
that
all
frequencies
are
lowered
in
level
when
the
compres¬
sor
is
triggered,
generally
the
“sss”
sound
occurs
alone,
before
or
after
the
dominant
tone
in
the
voice.
Increasing
sustain
To
increase
the
sustain
of
a
musical
instrument
(e.g.,
a
guitar
or
bass),
use
an
equalizer
in
the
level
detector
circuit
and
boost
the
EQ
in
the
domi¬
nant
frequency
range
of
the
instrument,
along
with
a
fairly
low
threshold
and
a
moderate
compression
ratio.
Using
a
Filter
in
the
Level
Detector
Circuit
The
results
of
inserting
a
filter
in
the
level
detector
circuit
are
basically
the
same
as
obtained
with
an
equalizer,
as
previously
described.
Those
fre¬
quencies
passed
by
the
filter
are
subject
to
compression
(or
at
least
they
are
subject
to
considerably
more
compression
than
those
frequencies
out¬
side
the
passband).
Because
a
passive
filter
can
have
insertion
loss,
it
may
be
necessary
to
lower
the
160XT’s
THRESHOLD
setting
to
maintain
a
given
amount
of
gain
reduction
within
the
filter
passband;
this
can
be
de¬
termined
by
monitoring
the
160XT’s
threshold
indicator
LEDs.
Multi-way
speaker
systems.
If
a
single
compressor
is
to
be
used
with
a
multi-way
speaker
system
(i.e.,
before
the
crossover,
after
EQ),
the
system
operator
is
faced
with
the
problem
of
keeping
levels
below
the
point
of
destruction
of
the
most
sensi¬
tive
part
of
the
system.
If,
for
example,
mid-range
drivers
are
frequently
damaged,
the
whole
system
must
be
operated
at
a
lower
sound-pressure
level,
or
additional
mid-range
drivers
must
be
added.
By
inserting
an
equalizer
in
the
detector
path
to
the
160XT,
it
can
be
made
more
sensitive
to
frequencies
in
the
range
handled
by
the
sensitive
drivers.
The
system
can
then
be
run
at
higher
levels
and
will
only
be
dropped
back
when
dam¬
aging
signals
are
present.
Pre-emphasis
for
broadcast
applications
By
inserting
a
pre-emphasis
filter
network
in
the
detector
path
of
a
160XT
processing
pre-emphasized
audio,
higher
levels
can
be
run
within
the
headroom
limitations
of
the
broadcast
chain.
Anticipated
Compression
By
feeding
the
program
directly
to
the
160XT’s
detector
input
and
sending
the
audio
signal
through
a
delay
line
before
the
audio
input,
the
unit
can
anticipate
the
need
for
a
gain
change.
See
figure
7.
With
some
experimen¬
tation,
the
effect
can
be
that
of
zero
attack
time
at
a
given
frequency.
Addi¬
tional
signal
delays
beyond
this
zero
time
will
then
cause
the
compressor
to
finish
reducing
the
gain
before
the
leading
edge
of
the
loud
passage
14

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