dbx DDP - Section 6: Appendices - Factory Setup Listing (Continued); Mono Factory Setup Configurations

Mono Setups
Default #1 EQ-G-Cmp-L . . . .“Default set-up with all values set to zero, for use when building a custom set-up from
scratch.”
Default #2 EQ-G-Cmp-DS . .“Default set-up with all values set to zero, for use when building a custom set-up from
scratch.”
Default #3 EQ-Cmp-DS-L . . .“Default set-up with all values set to zero, for use when building a custom set-up from
scratch.”
Default #4 SEQ-G-Cmp-L . . .“Default set-up with all values set to zero, for use when building a custom set-up from
scratch.”
Default #5 SEQ-G-Cmp-DS . .“Default set-up with all values set to zero, for use when building a custom set-up from
scratch.”
Default #6 SEQ-Cmp-DS-L . .“Default set-up with all values set to zero, for use when building a custom set-up from
scratch.”
Swift Kick EQ-G-Cmp-L . . . .“Medium Compression, heavy Gating with a push in the bottom.”
Fat Kick EQ-G-Cmp-L . . . .Heavier Compression and EQ with lots of gating.
Solid Kick SEQ-G-Cmp-DS . .Heavy Compression and Gating with the bottom ringing.
Thick Kick SEQ-G-Cmp-L . . .Medium Compression on the mids and heavy gating on everything else.
Brite Snare EQ-G-Cmp-L . . . .Heavy Compression with a lot of gating and a dip at 400 Hz.
Rim Shot EQ-G-Cmp-L . . . .Heavier Compression with lots of gating and a dip in the bottom.
Slam Snare SEQ-G-Cmp-L . . .“Medium Compression on the bottom with some gating, and a push at 315 Hz.”
Tom’s Toms EQ-G-Cmp-L . . . .Medium to heavy compression with some gating and EQ to accentuate the ring.
Tight Toms EQ-G-Cmp-L . . . .“Heavy Compression with medium gating, a boost in the low mids, and the bottom rolled
out.”
Ringin Toms SEQ-G-Cmp-L . . .Medium Compression on the top and gating.
CongoCongas EQ-G-Cmp-L . . . .Light to medium compression with some gating and EQ to bring the top out.
Tambourine EQ-G-Cmp-L . . . .Medium compression with some gating and EQ to mellow out the top end.
Sh-shaker EQ-G-Cmp-L . . . .Light compression and gating with the bottom rolled out.
Funk Bass EQ-G-Cmp-L . . . .“A boost in the deep bass with a cut in the mid-bass, medium compression and a little
gating..”
Punchy Bass SEQ-G-Cmp-L . . .Sidechain EQ with light compression to enhance the low mids and a fair amount of gat-
ing.
Slap Bass EQ-G-Cmp-L . . . .EQ with heavy compression and a lot of gating.
Rumble Bass EQ-Cmp-DS-L . . .Light overeasy compression with the top rolled out.
Martin’s Gt EQ-G-Cmp-L . . . .Mild compression with a little EQ for your prized acoustic guitar.
F-Pick AcGt EQ-G-Cmp-L . . . .Medium Compression with a little gating and EQ to keep your picking under control.
Folk Rock Gt SEQ-G-Cmp-L . . .Sidechain EQ combined with medium to heavy Compression to keep from feeding back.
Twang E Gtr EQ-G-Cmp-L . . . .Light Compression with a tiny boost in the top end to shine through.
2x12 Guitar EQ-G-Cmp-L . . . .Heavy Compression and gating with some sidechain EQ to keep the bottom punchy.
Monster Gtr EQ-G-Cmp-L . . . .Medium Compression with a big boost on the bottom.
FunkStompGt EQ-G-Cmp-L . . . .Medium Compression with heavy gating and wild EQ.
Low Strings EQ-G-Cmp-L . . . .Light overeasy compression with a boost in the bottom end.
Hi Strings SEQ-G-Cmp-L . . .Light compression with a bump in the sidechain EQ to minimize harshness.
LushStrings EQ-G-Cmp-DS . .Very light compression with a push in the low end.
Horns O Luv EQ-G-Cmp-L . . . .Medium Compression with some added top and bottom.
Mello Horns SEQ-G-Cmp-L . . .Sidechain EQ pushed in the upper mid with medium compression.
Horn Splat EQ-G-Cmp-L . . . .Medium to heavy overeasy compression with a push on the top.
Brite Horns SEQ-G-Cmp-L . . .Medium compression with a real gentle curve on the sidechain EQ.
7ft Grand EQ-G-Cmp-L . . . .Very light overeasy compression with a little more bottom and top.
Upright Pno EQ-G-Cmp-L . . . .Medium compression with a small bump in the midrange.
Tight Voc EQ-Cmp-DS-L . . .Medium overeasy compression with some of the real low end rolled out.
Small Voc EQ-G-Cmp-DS . .Medium compression and gating with the top and bottom rolled out.
De-ess Voc SEQ-Cmp-DS-L . .Medium Compression with the sidechain EQ bumped at 8KHz to control the sibilance.
Country Voc EQ-G-Cmp-L . . . .Light compression with a fair amount of top end.
Clear Voc EQ-G-Cmp-L . . . .Medium to heavy Compression with the low end rolled out.
Ambient Voc EQ-Cmp-DS-L . . .Light Compression with the Sidechain EQ to accentuate the room.
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Section 6: Appendices