DANIEL KUMIN
TEST REPORT
RATED POWER 110 W x 7 into 8 ohms
with maximum 0.05% THD (channels driven
individually)
DIMENSIONS (WxHxD) 17
3
⁄
8
x 7
5
⁄
8
x
20
1
⁄
2
inches
WEIGHT 55 pounds
PRICE $2,399
MANUFACTURER Harman Kardon,
harmankardon.com, 516-255-4545
fast facts
Harman Kardon
AVR 7300 Digital Surround Receiver
A
t first glance, Harman Kardon’s
AVR 7300, the latest flagship
receiver from the venerable
American brand, looks little
different from its predecessors.
And in a lot of ways, it is the
same. After all, big power, extensive sig
-
nal-routing, powerful setup flexibility, and
an attractively restrained, black-and-silver
aesthetic were hallmarks of several previ
-
ous Harman Kardon flagships, and the AVR
7300 has them, too. But a bit of digging
quickly revealed some significant changes.
First, the AVR 7300 piles on Dolby Pro
Logic IIx (DPL IIx), Dolby’s latest, 6.1/7.1-
channel version of its surround processing
for two- and four-channel sources. (DPL IIx
derives back surround channels from both
Dolby Surround-encoded and plain stereo
sources, with impressive results.) Second,
the receiver incorporates not just ample vid
-
eo switching (including three component-
video inputs), but video processing as well
by an onboard Faroudja DCDi engine. Oth
-
erwise, the AVR 7300 is everything I’d ex
-
pect in a flagship receiver, and that’s a lot.
SETUP The “key features” list on the fac-
ing page hits the high spots, but a few de
-
mand more attention, like EZSet, which
uses a test microphone in the remote con
-
trol to balance channel levels automatical
-
ly. It worked smoothly, with very accurate
results, as long as the receiver and the re
-
mote were more or less in line — the remote
needs to “see” the receiver to communicate
via infrared throughout the process.
More valuable in my book was the re
-
ceiver’s unusually complete configurability.
You can set the crossover frequency inde
-
pendently for each speaker or channel pair,
with seven choices between 40 and 200 Hz
— and you can dial in a different set of fre
-
quencies for each input, too. (In fact, you
must do so, or at least copy your setup for
each input you’ll use. It’s a bit of a chore at
setup time, but you only need to do it once.)
Most other options can also be set individ
-
ually for each input, including surround
mode, tone settings, and channel levels.
But the AVR 7300’s most newsworthy
feature — Faroudja DCDi video processing
— is also among its subtlest. The headline
here is the ability to “upscale” 480i (inter
-
laced) video, like standard-definition broad
-
cast TV, to 480p (progressive-scan) format,
like the output of a progressive-scan DVD
player. All of my video sources — my uni
-
versal DVD player, my TiVo/DVD recorder,
and my Comcast high-def cable box — can
do the same already, and this is likely to
be the case in a lot of up-to-date systems.
But the AVR 7300 lets you assign video-
setup modes individually for each input —
not only DCDi deinterlacing but also set
-
tings for video noise reduction, brightness,
contrast, saturation, display format (4:3 or
16:9), and so on.
PHOTOS BY TONY CORDOZA
62 NOVEMBER 2004 SOUND & VISION
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