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General| Type | Compressor/Limiter |
|---|---|
| Channels | 2 |
| Inputs | XLR, 1/4" TRS |
| Outputs | XLR, 1/4" TRS |
| Stereo Operation | Yes |
| Maximum Input Level | +24dBu |
| Maximum Output Level | +24dBu |
| Sidechain I/O | 1/4" TRS |
| Frequency Response | 20Hz - 20kHz, ±0.5dB |
| Power Requirements | 100-240V AC, 50/60Hz |
| Signal to Noise Ratio | >90dB (unweighted) |
Guidelines for customers regarding power cords and earthing requirements for safe operation.
General warnings and instructions for safe use and maintenance of the apparatus.
Specific safety warning regarding the use and alteration of UK mains plugs.
Statement of compliance with safety and EMC directives, listing relevant standards.
Explains the necessity of compressors due to limitations in audio reproduction and human hearing.
Differentiates between compressors and limiters based on their gain reduction characteristics and threshold behavior.
Visualizes and explains the effects of compression and limiting on audio signals using diagrams.
Discusses the role of limiters, especially for transients, and introduces the PeakStopPlus technology.
Lists premium components and design strategies used in the 162SL for high performance.
Step-by-step guide for connecting the unit, including mounting and power-up procedures.
Illustrates two fundamental ways to set up the compressor for processing audio signals.
Detailed explanation of each control and switch on the front panel of the 162SL.
Explains the OverEasy switch and the difference between OverEasy and hard knee compression characteristics.
Describes how the Compression control adjusts the amount of gain reduction based on input signal level.
Explains the function of the Auto switch for automatic or manual attack and release timing.
Details the Attack and Release controls, their ranges, and their impact on compression/limiting.
Explains the Stop Level control for setting the maximum peak output level, including PeakStopPlus.
Describes the PeakStopPlus switch and its associated bi-color LED indicator for limiting status.
Explains the Sidechain switch and LED for activating sidechain processing and monitoring its status.
Describes the Bypass switch and LED for activating the hard-wire relay bypass function.
Explains the Output Gain control for adjusting the output amplifier stage gain.
Details the function of the Peak LED, indicating when the output level approaches clipping.
Explains the functions of the VU meter, including input, output, and gain reduction monitoring.
Describes switches for selecting input, output, and gain reduction meter modes.
Explains the Stereo Couple switch for linking channels and its associated LED indicator.
Indicates the status of the unit’s power connection and switch.
Details the XLR and 1/4" connectors for audio input and output, including wiring configurations.
Explains the function of the Pin 1 Lift switch for breaking ground loops.
Describes the 1/4" TRS connectors for sidechain send and return signals for advanced processing.
Explains the AC power switch operation and the standard IEC power inlet receptacle.
Discusses the differences between OverEasy and hard knee compression and their visual representations.
Explains how to use the Compression control to set the desired ratio and its effect on output level.
Details how to use the Stereo Couple switch for processing stereo programs effectively.
Explains the function and benefits of the Auto switch for automatic attack and release timing.
Guides on setting manual attack and release times for optimal compression and limiting.
Describes how to use the PeakStop and PeakStopPlus limiter functions to control peak output levels.
Tips for smoothing vocal level variations using compression with specific ratio and threshold settings.
Guidance on using compression to improve instrument sounds by leveling dynamics and increasing sustain.
Techniques for using compression to make specific tracks or vocals stand out in a mix.
Method for using the 162SL with EQ to identify and minimize feedback frequencies in live audio.
How compression can prevent recording levels from saturating tape tracks with varying input levels.
Using compression/limiting to protect speaker drivers from excessive levels and improve intelligibility.
Using an EQ in the sidechain to alter compressor response based on specific frequency bands.
Applying de-essing to vocals by using a parametric EQ in the sidechain to reduce sibilance.
Using sidechain EQ to boost dominant frequencies and increase instrument sustain.
How inserting a filter in the level detector circuit affects compression sensitivity to specific frequencies.
Using sidechain EQ to protect sensitive drivers in multi-way speaker systems.
Utilizing a pre-emphasis filter in the sidechain for broadcast applications to manage headroom.
Using a delay in the sidechain to anticipate signal changes and achieve zero attack time effects.
Details the product warranty terms, conditions, and limitations for the original purchaser in the US.
Visual representation of the signal path and functional blocks within the 162SL unit.
Technical specifications for input and output connectors, impedance, and levels.
Details on system-wide performance metrics like frequency response, noise, dynamic range, and THD.
Specific technical parameters for the compressor and limiter sections, including ranges and types.
Lists and explains the function of all switches and indicators on the unit.
Specifications for operating voltage, power consumption, fuse ratings, dimensions, and weight.
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