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Korg Kronos X
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Creating songs (Sequencer mode)
94
Thisappliesonlytorecord‐enabledtracks.IfMulti
RECî ±isî ±off,î ±thisî ±isî ±theî ±RECî ±Trackî ±(asî ±selectedî ±inî ±theî ±
Trackî ±Selectî ±menu).î ±Ifî ±Multiî ±RECî ±isî ±on,î ±thisî ±meansî ±toî ±
allî ±tracksî ±whoseî ±Play/Rec/Muteî ±buttonî ±isî ±setî ±toî ±Rec.
Normally,î ±Autoî ±Inputî ±shouldî ±beî ±enabledî ±(checked).î ±
Whenî ±enabled,î ±recordî ±enabledî ±tracksî ±willî ±beî ±
moni
toredî ±asî ±follows:
‱W
henî ±stopped,î ±theî ±monitorî ±carriesî ±theî ±inputî ±signal.
‱Whenî ±playingî ±butî ±notî ±recording,î ±theî ±monitorî ±
carriesî ±theî ±trackî ±playback.
‱Whenî ±recording,î ±theî ±monitorî ±carriesî ±theî ±inputî ±
signal.
Foraudiotrackswhicharenotrecord‐enabled,you’ll
alwaysî ±beî ±monitoringî ±theî ±trackî ±playback.
Audioî ±trackî ±monitoring
(Input:î ±RECî ±So
urce,î ±Tr
ack:î ±trackî ±playback)î ±
Source Direct Solo
Ifthisisunchecked,theL/R(post‐TFX)andbusline
signal(s)î ±specifiedî ±byî ±RECî ±Sourceî ±willî ±beî ±sentî ±fromî ±theî ±
L/Rî ±jacksî ±andî ±theî ±headphoneî ±jackî ±asî ±specifiedî ±byî ±theî ±
AudioInputBusSelect(IFX/Indiv.)andpost‐IFXBus
Sel.î ±settings.î ±Thisî ±isî ±theî ±normalî ±state.
Normallyî ±youî ±willî ±leaveî ±thisî ±un
checked,î ±andî ±Ch
eckî ±
thisifyouwanttomonitoronlythesoundthat’sbeing
recorded.î ±Onlyî ±theî ±signalî ±ofî ±theî ±busî ±lineî ±specifiedî ±byî ±
RECî ±Sourceî ±willî ±beî ±outputî ±toî ±theî ±L/Rî ±jacksî ±andî ±theî ±
headphonejack.WhenusingMultiREC,you’llhear
theî ±soundî ±fromî ±theî ±RECî ±Sourceî ±busesî ±whoseî ±
Pl
ay/Rec/M
uteî ±settingî ±isî ±setî ±toî ±REC.
Note:î ±Ifî ±theî ±RECî ±Sourceî ±isî ±L/R,î ±thisî ±settingî ±isî ±ignored;î ±
theL/R(post‐TFX)signalisoutputfromtheL/Rjacks
andî ±theî ±headphoneî ±jack.
Rehearsal
Checkî ±thisî ±ifî ±youî ±wantî ±toî ±rehearseî ±beforeî ±actuallyî ±
recordingî ±onî ±anî ±audioî ±track.î ±(recordingî ±willî ±notî ±
actuallyî ±occur).
Audio Track Recording Level
Thisî ±indicatesî ±theî ±inputî ±levelî ±toî ±theî ±audioî ±trackî ±
selectedforTrackSelect(whenusingsingle‐track
recording),î ±orî ±theî ±inputî ±levelî ±toî ±theî ±audioî ±tracksî ±whoseî ±
Play/Rec/MutesettingisREC(whenusingmulti‐track
recording:î ±maximumî ±4î ±tracks).
Recording Level 1, 2, 3, 4
Level Meter 1, 2, 3, 4
Thisadjuststhefinal‐stagesignallevelofeachREC
Sourceî ±beingî ±recordedî ±toî ±theî ±audioî ±tracks.
Theî ±upperî ±partî ±ofî ±theî ±levelî ±meter/sliderî ±showsî ±theî ±
correspondingî ±audioî ±trackî ±number.
Ifyou’ reusingsingletrackrecording,RecordingLevel
1î ±andî ±Levelî ±Meterî ±1î ±bothî ±apply.
Ifyou’reusingmulti‐trackrecording,thesettingsfor
tracksî ±whoseî ±Play/Rec/Muteî ±isî ±RECî ±willî ±beî ±va
l
id.
Whenusingsingle‐trackrecording,thelevelmeterwill
showtherecordinglevelifyouset“TrackSelect”to
AudioTrack.Whenusingmulti‐trackrecording,press
theSEQUENCERREC/WRITEswitchtoenterrecord‐
standbyî ±mode,î ±andî ±theî ±levelî ±meterî ±willî ±showî ±theî ±
recordingî ±le
v
el.
Note:î ±Theî ±settingsî ±upî ±toî ±thisî ±pointî ±areî ±theî ±sameî ±asî ±ifî ±
youî ±executedî ±theî ±pageî ±menuî ±commandî ±Autoî ±
HDR/Samplingî ±Setupî ±withî ±theî ±HDRî ±(Audioî ±Trackî ±
Recording)î ±setting,î ±toî ±makeî ±theî ±setupî ±automatically.î ±
Audioî ±Input,î ±RECî ±Source,î ±Trackî ±Select,î ±andî ±
Overwriteî ±areî ±setî ±automatically.î ±Forî ±moreî ±info
rmation,î ±
see“A
u t o HDR/SamplingSetup”onpage 629ofthe
Parameterî ±Guide.
Setting levels
Forî ±theî ±bestî ±results,î ±setî ±theî ±levelsî ±asî ±describedî ±below:
1. Ifî ±Multiî ±RECî ±isî ±off,î ±setî ±Trackî ±Selectî ±toî ±anî ±Audioî ±
Track.
or
IfMultiRECisOn,record‐enablethedesired
Tracks,î ±andî ±thenî ±pressî ±theî ±SEQUENCERî ±
REC/WRITEî ±switch.
Theî ±Levelî ±Meter(s)î ±willî ±nowî ±showî ±theî ±recordingî ±
level(s).î ±
2. Initially,î ±setî ±theî ±Recordingî ±Level(s)î ±toî ±0.0dB.
3.
Adjustî ±theî ±level(s)î ±ofî ±theî ±inputî ±signal
(s)î ±soî ±thatî ±itî ±
isî ±asî ±highî ±asî ±possibleî ±withoutî ±activatingî ±theî ±CLIP!î ±
orî ±ADCî ±OVERLOAD!î ±messages.
Ifyou’reusingAUDIOINPUTS1and/or2,adjustthe
volumeusingrear‐panelMIC/LINEswitchesand
LEVELî ±knobs.
Ifyou’reusingtheUSBorS/P DIFinputs,adjustthe
outputî ±lev
elî ±ofî ±yourî ±externalî ±audioî ±source.
Ifyou’resamplingexternalaudiothroughtheinternal
effects,î ±youî ±mayî ±alsoî ±needî ±toî ±adjustî ±theî ±individualî ±
effectsî ±inputî ±and/orî ±outputî ±levelî ±parameters.
Ifyou’reusinginternalsounds,adjustthelevelsusing
theî ±controlî ±surface,î ±effectsî ±input/outputî ±trim,î ±etc.
4. Ifî ±theî ±levelî ±isî ±sti
llî ±notî ±hig
hî ±enough,î ±increaseî ±theî ±
RecordingLevelusingtheon‐screenslider.
Again,î ±theî ±goalî ±isî ±toî ±getî ±theî ±levelî ±asî ±highî ±asî ±possibleî ±
withoutî ±activatingî ±theî ±CLIP!î ±orî ±ADCî ±OVERLOAD!î ±
messages.
Auto Input
During Stop
During Play
During Rec
During Punch Rec

In
In
Out
Out

Record
Tracks
On Input Track Input Track Input Track*
Off Input
Other
Tracks
On
Track Playback
Off

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