Korg Kronos X - Playing and Editing Combinations

Detailed Program Editing Using the Amp section
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TheAMSsettingselectsaAMSmodulationsourceto
scaletheamountoftheLFOappliedtoFiltersAandB.
ThetwofiltersshareasingleAMSsource,with
separateintensitysettings.
Forexampleif,AMSissettoAfterTouch,applying
pressuretothekeyboardproducesan“auto‐wah”
eff
ect.
Keyboard Track
Mostacousticinstrumentsgetbrighterasyouplay
higherpitches.Atitsmostbasic,keyboardtrackingre‐
createsthiseffectbyincreasingthecutofffrequencyof
alowpassfilterasyouplayhigheronthekeyboard.
Usually,someamountofkeytrackingisnecessaryin
ordertomakethetimbreconsistentacrossth
eenti
re
range.
TheKRONOSkeyboardtrackingcanalsobemuch
morecomplex,sinceitallowsyoutocreatedifferent
ratesofchangeoveruptofourdifferentpartsofthe
keyboard.Forinstance,youcan:
•Makethefiltercutoffincreaseveryquicklyoverthe
middleofthekeyboard,andthenope
nmore
sl
owly–ornotatall–inthehigheroctaves.
•Makethecutoffincreaseasyouplayloweronthe
keyboard.
• Createabruptchangesatcertainkeys,forsplit‐like
effects.
How Key Track works: Keys and Ramps
Thekeyboardtrackingworksbycreatingfourramps,
orslopes,betweenfivekeysonthekeyboard.The
bottomandtopkeysarefixedatthebottomandtopof
theMIDIrange,respectively.Youcansettheother
threekeys–namedLowBreak,Center,andHigh
Break–tobeanywhereinbetween.
ThefourRampva
luescontroltherateofchange
betweeneachpairofkeys.Forinstance,iftheLow‐
CenterRampissetto0,thevaluewillstaythesame
betweentheLowBreakkeyandtheCenterkey.
Youcanthinkoftheresultingshapeasbeingliketwo
foldingdoo
rsa
ttachedtoahingeinthecenter.Atthe
Centerkey(themainhinge),thekeyboardtrackinghas
noeffect.Thetwofoldingdoorsswingoutfromthis
centerpointtocreatechangesinthehigherandlower
rangesofthekeyboard.
KeyboardTrackShapeandIntensity
IntensitytoAandIntensitytoBadj
usttheeffectthat
keyboardtrackingwillhaveonfiltersAandB.For
moreinformation,see“3–2a:KeyboardTrack,”on
page 72oftheParameterGuide.
AMS Modulation
InadditiontotheEG,LFOs,andKeyTrack,youcan
usetwoAMSsourcestomodulatethefilters.For
instance,youcouldusetheribbontochangethe
brightness,orusetheAMSoutputofaWaveSequence.
Using the Amp section
TheAmpsectionincludescontrolsforvolume,pan,
andthedrivercircuit.Youcancontrolthevolume
usingtheAmpEG,LFO1/2,KeyTrack,andvelocity,
alongwithotherAMSsources.
EachOscillatorhasitsownAmpsection:Amp1for
OSC1,andAmp2forOSC2.
Background: what does “Amp” mean?
Differentsoundshavecharacteristicshapestotheir
volumelevels.
Forexample,thevolumeofapianonotebeginsata
highvolumetheinstantyouplaythenote,andthen
decreasesgradually.
Thevolumeofanorgannote,ontheotherhand,
remainsconstantaslongasyoucontinuepressingthe
key.
Thevo
l
umeofanoteonaviolinorwindinstrument
canbevariedduringthenotebythemusician(i.e.,by
regulatingtheamountofpressureontheboworthe
forceofthebreath).
Intensity = +99 (Original Shape)
Intensity = –99 (Inverted)
Intensity = +50 (Less Effect)
Intensity = 0 (No Effect)
Volume
Time
Piano
Volume decays gradually
Volume
Time
Organ
Volume remains constant
until note is released