Korg Mono/Poly - Page 20

Alternatively,
<he
Arpeggujtor may
be
advanced ("ducted") by *t>
external fie
vice such
as a
footswitch. sequencer,
thythmer or other
device,
via the rear
panel
ARPEGGIO TRIG IN lack.
The
use
of
the jack
disconnects
(he Mono/Poly's
A'peggrator
from
MG*2. and the
Arpeg
g*/«
liming
it
controlled
by the external
device,
(The "Reset" functions discussed
above
cannot occur whenever The Arpeg
giator
i
external
v
triggered.
I
Anion
Modei;
Different Keyboard
Ass*gn modes
(except "HOLD"* may be
selected
by
the user whenever Arpaggia-
tor rt activated
for
greatly increased
mtillty
UNISON, UNISON/SHARE: All four
VCOs play the A'peggiai on pattern
toge-
ther
(monophonicalryl m either mode.
These mod«
produce
in* strongest/
fattest arrxcjgiaiion sound*
CHORD
MEMORY:
An interval
or
chord memcrixed
by
the CHORD
MfcM*
ORY function can also
be
arpegtyated.
creating
feasances of chords 0' parallel
harmonics
The arpeogiator pattern can
be
latched
as with
nnrrnal
arpeccyato'
operation,
JNote
(hat
two
different
kind*
of information are memorised
at the time
here.
I
To accomplish
this, the chord or
interval it first
memorized vie the
CHORD
MEMORY pus* button (Arpeg-
giato* must
be
off). Then the Arpeggiator
13 switched on and the desired arpeggio-
t on pattern played
on
the Keyboard {and
latched, if desired)
POLY: in
this
mode, the
VCO*
are
played sequentially, one arte* another,
usmg
a
"Continuous" assign
system*
This
is the opposite of using Poly Assign mode
without the Arpeggtator, in which
case
the VCOs are played using
"Reset" as-
svgnmam
{see Poly mode <n Keyboard
Assign
Section) This can produce some
wry
interesttrcj
random or rhythmic ef-
fects whenever
the VCOs have different
waveform end/or
octave control settings.
Additionally,
this mode may be used
ro "play" the
VCOs sequentially
from
the
keyboard, thus producing
a
different
sound for each note
played. To do so.
simply
select the POLY mode with the
Afpeggiotor
on, and
let
MG-2's Fre-
quency
control
to
" "
{full
counter-
clockwise). Then play the keyboard
(you
must lift
up
your fingers
before ploying
each note).
As
long
as you ploy raster
than one note every
10
seconds
the
Arpeggiator will never
get
the chance
to
"play" anything.
Selecting the Latch mode will sustain
each note played for legatto effects, m
the nort Latch mode,
a staccarto
effect
will
be created.
Arpeggio
und gcweWte
Svntherirer-
Funfctron
1
.
Be* UNISON und UNISON/SHARE:
Alle vier VCOs haUen beim Arpeggio
Ablaut die gleiche Tonhohe.
2.
m
CHORD MEMORY:
Alle vier VCOs fotgen be»m Arpeggio
dam vcrrjeoebenen Akkordrrwster
3 Bet POLY:
Das Arpeggio schnjuet kontinuierlich
fort
von VCO 1 bis hin
*u
VCO 4.
Durch
Varjieren
von YVeltenforrn.
Oktave und Pegcl orjr VCOs befteht
ungewohnlich vietfaJlige Ausorucfct
moghchkeit.
Rapports entre
I'arpege
at It mode
rfaffecUiiofi
1. En
mode UNISON ou iiiwson/
SHARE
Les
quatre ascliateur*
VCO
t
I
4
tiennent la merne hduteu' de
son
soul
en suivant la
structure
de
ror
pen*
2. En mode CHORD MEMORY:
Lei
quatre oscillaterurs
VCO tiennent
la composition de
('accord
en
merno**
tout
en suivant
la
structure
de
Jarptcaj
ensemble
3.
€n
mode
POLY
L
orpege
a
lieu dans J 'ordre osollnK'Ljr
VCO 1 a
VCO e\ Ceci permet
de
creer
des
ar pages particuiierement
exa*r>
tionneis en se servant de divers regtaoes
d'oocte. c'octave et do niveau Dour
choqueosciliateur
VCO.