Keyboard and CV f«**tiomh*>
Th«
AfanojPolY
CV
OUT
voitaaa
chano?* w-.t*
r»*
TRANSPOSE »«<tch pdftiKKi,
at
ifttmr in
th»
diegf^m
b*(OW. Ktvp
t*ii* *n mmd v*t>*iy
i-i.npau: Tirw hju[-"lC
etc.
Keyboard und Steuertpannung
(CVI
fiti Vamendung
i.nes Etfc'*»*il*Sequ*n«H
jia -t* tu
tMC^ID. dift
d
:
* Hohe
d*f mrn
CV
Ol.T Auapee du
Mono.'Poly
nlfcgenden
Spsnnune von
dar EinWtung dm
TRANS
POSE Sobers
.»L--*iarrjigHt.
It
AbO.UfllCnl.
Rapport entre It clavier «t CV
La
ttrtuofl
da
lO'lta CV OUT du ty'it***
iKtfu'
M<M»oyPor» margft *f* foncfien d» la
poitnon
du
comrmiWhs** TRANSPOSE
comme rtoresenift tur la trtierno cuVnout
Geo «t a
conttdt**' *of»3U*ur>
tfwtHiiciiu*
a
UP
ttWAJ-
11
OOVrft
TRANSPOSE
in
I
* 1 7 V
r 4irv tJuv
IV IV 5V IV
Connection example
Mn*wifPoiv
tonn»ti#d id SO- 10 wqu
• B-tten taouenot
•
The
conn«ciion mduiBti
by
rr*e broken
-
•* ii!«-.- i;o
t
iii.
.
.i
iicw.
The keyboard
io b* utwi to thane* key*.
Antchlu&beitptoJ
ManojPoty onSoqutn/ar
SO*10
8-ftufiea Saqusnj
• Die ecMncheli
eirteajeiuhttu Annh»uBvv*a«
m
roentalh
moaJtth Sie
armogftaM
dta Unt*
dnaltune dar
Tonen tiber du Ktybowd
Exemple de connexion
saio
• 1 *
COnnaxiO"
n|W*fltit**
p#r Iron* «n
pi>
r
m
it
at
ilvmiu* iwiiiin
pouiblf HJ*
pvrrTret
*J
fiw«r d'ttra ut!1i*a Oocr tijwoni
f
- rnviarD.
Connections
Rear panel
facilities
11 ARPEGGIO
TRIG IN
This jacx allow? The Mono/Poly's Ar-
peojQiaiur
to bo
"triggered" by a wide
variety of external deviate such
as
fool*
switches (momentary, normalI
v
op*rv
type
such
as
Korg PS-1,
S-1,
etc), se-
quencers, rhythmers, othei synthcstiers,
etc.
The
use
of this jack overrides the
timing, provided internally
by
MG2. Ex-
(ernaJ
trigger
s^haJk
Tjust
be
nega'tvr*
going "Switch" typo ( 1*-
K
for 0f0par
operalion.
21 PORTAMENTO
Allows performer
to
turn Portamento
effect
00
and Off using a momentary
footswuoh, such as the Korg S*l. PS't.
etc.
Portamento i* activated for at long as
fooiswitcti is kept Depressed.
3) VCF ItM IN
For external modulation of the VCF
cutoff frequency fusing MS 01. 04 foot
pedals, old, P'nducxjs
variations in tim-
bre or tonal
quality Connecting
a se-
quencer to this jack produces "flapped"
tonal Quality change*,
either continuously
or each tin-* a new noie
is played*
depending on the interconnection to
the
4>
VCOFMIN
tor external
pitch cortrol using
pedals
(such
as
Korg
MS-01, 04, etc)
se-
quencers (eg*.
Konj
SQ-'OI or
other
device*.
The MP*4*s keyboard remains
active
whenever this
jack
is used, there-
fore*
if a
sequencer is connected to this
jack,
the keyboard may be uwd to
transpose the sequence.
5e>
j
.
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