Lewitt LCT 140 AIR User Manual

LCT 140 AIR
Quickstart guide
SOUND
Switch between AIR and FLAT
Wechsle zwischen AIR und FLAT
可选择AIR(明亮)或FLAT(本真)的音色
FILTER
Low-cut at 80 Hz (12 dB/oct) to reduce structure-borne noise and
wind noise.
Low-Cut bei 80 Hz (12 dB/Okt), um die Übertragung von Körperschall
oder Wind zu reduzieren.
低切频点处于80 Hz (12 dB/oct) 时，能减少结构噪声和风噪声。
PAD
For distortion-free recordings of high-SPL instruments like snare,
wind instruments, etc.
Für die verzerrungsfreie Aufnahme von Instrumenten mit hohem
Schalldruckpegel, wie z.B. Snare, Blasinstrumente, etc.
防止录制较大响度的声源时产生失真，如鼓组和管弦乐等。
Setup
Inbetriebnahme
设置
Features
Eigenschaften
产品特性
The LCT 140 AIR is an instrument condenser microphone with two
switchable sound characteristics. AIR delivers an open, sparkling
character. FLAT provides a linear frequency response for highly
realistic sonic images. Classic features like pre-attenuation pad and
low-cut lter complete the package.
Das LCT 140 AIR ist ein Instrumenten-Kondensatormikrofon mit
zwei schaltbaren Klangcharakteristiken. AIR liefert eine offene
Klangcharakteristik. FLAT bietet einen linearen Frequenzgang für
sehr realistische Klangabbildungen. Klassische Features wie
Low-Cut Filter und Vordämpfung ergänzen die Ausstattung.
LCT 140 AIR是一款具有两种声音特性的电容乐器话筒。AIR传递高频丰
富的明亮音色，是获取即录即得专业细腻音质的最佳选择。FLAT具有线
性频率响应，为鼓、弦乐器、原声吉他和合唱团提

Lewitt LCT 140 AIR Specifications

General

Type	Condenser
Polar Pattern	Cardioid
Frequency Response	20 Hz - 20 kHz
Supply Voltage	48 V Phantom Power
Connector	XLR

Summary

LCT 140 AIR Microphone Features

Sound Characteristics (AIR and FLAT)

Offers two switchable sound characteristics: AIR for an open, sparkling tone and FLAT for a linear, realistic sound.

Low-Cut Filter

Reduces structure-borne noise and wind noise by cutting frequencies below 80 Hz.

Pad Attenuation

For distortion-free recordings of high-SPL instruments like snare and wind instruments.

LCT 140 AIR Applications and Usage

Acoustic Guitar Miking

Point microphone towards the 12th fret for a balance of bass and sparkle.

Snare Drum Miking

Mirror snare top and bottom mics to avoid phasing for a fuller sound.

Hi-Hat Miking

Position above hi-hat, varying between center and edge for different tones.

Important Notes and Warnings