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Marshall JCM-2000 (EL-34) BRTHVY
One of the reasons that the JCM-800 was so popular is because all of the big name players who used them had them modified
for more gain. The JCM-2000 added the same modifications from the factory. This is the first real high gain amp from Marshall.
Mesa Boogie Maverick (EL-84) MAVRIC
This is a pure Class A, 35-watt amp with a GZ34 tube rectifier. It has a very smooth, compressed tone. It has a lot of great high-
mid range frequencies and very little low end, which makes it great for solos. This one sounds great both with very little gain and
with tons of gain.
Hiwatt DR103 (EL-34) HYWTT
Dave Reeve’s released this Hiwatt classic around 1967. These amps were all hand made, thus only about 40 amps a month could
be released. So these amps are not quite as well known as Marshalls. The Who’s Pete Townsend and Pink Floyd’s David Gilmore
created some classic songs with their Hiwatt amps. Our model is of the “Brilliant” (lead) channel. It’s been said that “Marshall
amps want to be Hiwatts when they grow up.”
Soldano SLO 100 (5881) LAMOD
Michael Soldano has modified amplifiers for some of the biggest names in the industry. In 1987 he released the SLO 100. SLO
(Super Lead Overdrive.) This is one of those boutique amplifiers that a major artist will use on stage and in the studio even though
they’re endorsed by a bigger name amp company that pays them a lot of money to use that artist’s name. This is known as one
of the best sounding high gain amps of all time.
Mesa Dual Rectifier (6L6) USMETL
Class A/B tube rectifier. This is the amp that turned all of the Marshall metal players into Mesa Boogie metal players. Even AC/DC
switched after using Marshall for over 20 years! With its Ford bumper cover armor and extremely high gain sound, it became the
industry standard heavy metal amp almost overnight.
Bogner Uberschall (EL-34) UBER
This amp has a very unique, thick tone to it. It has a focused low-midrange sound. This amp sounds huge even with low amounts
of gain. Reinhold Bogner had been designing and building amplifiers long before leaving Germany in 1989. Van Halen entrusted
Reinhold to overhaul and revitalize Eddies #1 Marshall Plexi, Eddie was pleased. BOGNER AMPLIFICATION was born.
Editing Effects
The Black Box has 43 different effects for you to choose from:
1. TREM1 Tremolo 1 23. FLTSQ3 Filter Sequence 3
2. TREM2 Tremolo 2 24. FLTSQ4 Filter Sequence 4
3. FTREM1 Filter Tremolo 1 25. FLTSQ5 Filter Sequence 5
4. FTREM2 Filter Tremolo 2 26. FLTSQ6 Filter Sequence 6
5. FLANG1 Flanger 1 27. ARPEG1 Arpeggiator 1
6. FLANG2 Flanger 2 28. ARPEG2 Arpeggiator 2
7. CHORS1 Chorus 1 29. ARPEG3 Arpeggiator 3
8. CHORS2 Chorus 2 30. ARPEG4 Arpeggiator 4
9. RNFI 8 Random Filter 1/8 notes 31. ARPEG5 Arpeggiator 5
10. RNFI8T Random Filter 1/8 triplets 32. ARPEG6 Arpeggiator 6
11. RNFI16 Random Filter 1/16 notes 33. ATOWA1 Auto wah 1
12. RNFL 8 Random Flanger 1/8 notes 34. ATOWA2 Auto wah 2
13. RNFL8T Random Flanger 1/8 triplets 35. WAHPDL Wah Pedal
14. RNFL16 Random Flanger 1/16 notes 36. TKBOX1 Talk box 1
15. TRMSQ1 Tremolo Sequence 1 37. TKBOX2 Talk box 2
16. TRMSQ2 Tremolo Sequence 2 38. MVE2FI MIDI velocity to filter
17. TRMSQ3 Tremolo Sequence 3 39. MNT2FI MIDI note to filter
18. TRMSQ4 Tremolo Sequence 4 40. MMD2FI MIDI mod (5 controllers) to filter
19. TRMSQ5 Tremolo Sequence 5 41. MVE2FL MIDI velocity to flanger
20. TRMSQ6 Tremolo Sequence 6 42 MNT2FL MIDI note to flanger
21. FLTSQ1 Filter Sequence 1 43. MMD2F MIDI mod (5 controllers) to flanger
22. FLTSQ2 Filter Sequence 2
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