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Marantz 6300 - Page 8

Marantz 6300
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The
weight
is
placed
in
the
notch
nearest
the
end
of
the
lever
for
a
tracking
force
of
2.5
grams.
The
next
three
notches
inward
correspond
to
2.0,
1.5,
and
1,0
grams,
respectively,
(See
Figure
7.)
Place
the
arm
in
the
arm
rest.
STYLUS
TRACKING
ANGLE
After
setting
up
the
arm
for
playing,
it is
important
to
check
the
tracking
angle,
because
improper
tracking
angle
will
cause
distortion
and
premature
record
wear.
Most
phono
cartridges
are
designed
so
that
when
the
cartridge
is
mounted
on
a
surface
parallel
with
the
record
surface,
the
stylus
will
track
at
the
proper
angle
(see
Figure
8).
The
surface
inside
of
the
cartridge
shell
{against
which
the
cartridge
is
mounted)
is
paral-
lel
to
the
record
surface
when
the
tone
arm
is
level.
Visually
check
the
angle
of
the
tone
arm
in
actual
playing
position.
If
it
is
not
level
and
parallel
with
the
record
surface,
then
it
is
necessa-
ry
to
change
the
height
of
the
tone
arm’s
pivot.
NOTE:
Some
cartridges
are
built
so
that
their
bodies
are
at
an
angle
with
respect
to
their
own
mounting
tabs.
No
attempt
should
be
made
to
change
this
angle.
Simply
make
sure
that
the
cartridge
mounting
tab
surfaces
are
parallel
to
the
tone
arm
shell
mounting
surface
before
proceeding
with
the
arm
height
adjust-
ment.
To
adjust
the
height
of
the
pivot,
loosen
the
two
set
screws
near
the
base
of
the
pivot
mechanism
and
a
third
screw
that
tightens
the
clamp
around
the
shaft
for
the
arm
lifter
(see
Figure
9).
When
the
screws
are
loose,
the
entire
pivot
mechanism
can
be
slid
up
and
down.
PARALLEL
Figure
8.
Tracking
Angle
Figure
9.
Pivot
Height
Adjustment
lf
the
arm
cannot
be
made
level
in
the
adjustment
range
provided,
appropriate
spacers
which
were
supplied
with
the
cartridge
must
be
inserted
between
the
cartridge
and
the
shell.
This,
of
course,
necessitates
temporarily
removing
the
cartridge
from
the
shell
and
rechecking
the
arm
balance
and
adjustment.
If
the
height
of
the
arm
is
modified,
it
is
necessary
to
check
and
adjust
the
cueing
mecha-
nism
to
operate
properly.
See
“‘Cueing
Controls”,
page
9.