Peavey Vypyr VIP 2

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IInnssttrruummeennttss VVIIP P 11 VVIIP P 22 VVIIP P 33
AAccoouussttiic c 11 XX XX XX
AAccoouussttiic c 22 XX XX
112 2 ssttrriinngg XX XX
7 7 ssttrriinngg XX XX
RReessoonnaattoorr XX XX
SSiittaarr XX XX
EEVVIIOO XX XX
SSyynntthh XX XX
BBaarri i XX XX
BBaassss XX XX XX
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SSttoommppbbooxxeess VVIIP P 11 VVIIP P 22 VVIIP P 33
TTSSCC XX XX XX
FFuuzzzz XX XX
CCoommp p XX XX XX
SSllaapp XX
WWaahh XX XX XX
PPhhaasseerr XX XX XX
FFllaannggeerr XX XX XX
SSyynntthh XX XX XX
SSlliiccee XX XX XX
EEnnv v FFiilltteerr XX
PPiittcch h sshhiifftteerr XX
CChhoorruuss XX XX XX
OOccttaavveerr XX
RRoottaarryy XX
MMOOGG XX
TTrreemmoolloo XX
RReevveerrssee XX
UUvvbb XX XX XX
RRiinng g MMoodd XX XX XX
VViibbrraattoo XX
BBoooosstt XX XX XX
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SyNtH:
SyNtH: The synth is aThe synth is a monohonicmonohonic(one note at a time) effect that creates a square wave at the frequency(one note at a time) effect that creates a square wave at the frequency
of the input string and runs it through a built-in envelope filter and pitch glide controller. The attackof the input string and runs it through a built-in envelope filter and pitch glide controller. The attack
parameter controls the amount of filter modulation - higher values result in more wah-like filtering. Theparameter controls the amount of filter modulation - higher values result in more wah-like filtering. The
glide parameter controls the amount of time it takes to glide from one note to another. Higher values resultglide parameter controls the amount of time it takes to glide from one note to another. Higher values result
in more audible sliding in more audible sliding between notes. between notes. P1 Attack, P2 P1 Attack, P2 GlideGlide
SLICEr:SLICEr: The Slicer turns the signal on and off very fast or very slow. The Slicer turns the signal on and off very fast or very slow. You can crYou can create hythmic effects witheate hythmic effects with
the Slicerthe Slicer, you , you just have just have to experiment. P1 to experiment. P1 Speed, Speed, P2 P2 WidthWidth
NOtE: the oionl Sne I nd SneNOtE: the oionl Sne I nd Sne
®®
II edls will chnge he seed of II edls will chnge he seed of his effec.his effec.
uVbuVb: Originally designed to be a rotary spe: Originally designed to be a rotary speaker simulator, Uvb quickly took on a life of it’aker simulator, Uvb quickly took on a life of it’s own. s own. It’It’s beens been
one of the most popular effects since Hendrix pulled it out for the National Anthem at Woodstock: P1one of the most popular effects since Hendrix pulled it out for the National Anthem at Woodstock: P1
Speed, P2 DepthSpeed, P2 Depth
rING mODuLatOr:rING mODuLatOr: The Ring Modulator combines two waveforms, and outputs the sum and difference ofThe Ring Modulator combines two waveforms, and outputs the sum and difference of
the frequencies present in each waveform. the frequencies present in each waveform. As you will see this effect is As you will see this effect is certainly a little different but cancertainly a little different but can
be a lot of fun. be a lot of fun. Listen to the guitar solo in “Paranoid” and you wListen to the guitar solo in “Paranoid” and you will hear a Ring Modulator combined with aill hear a Ring Modulator combined with a
Fuzz distortion. Parameter adjustments: P1 Carrier Frequency, P2 MixFuzz distortion. Parameter adjustments: P1 Carrier Frequency, P2 Mix
VIbraVIbratO:tO:
Unlike Tremolo, which changes the volume of the signal to create the effect, Vibrato changes theUnlike Tremolo, which changes the volume of the signal to create the effect, Vibrato changes the
pitch slightly to pitch slightly to create the effect. create the effect. P1 Speed, P2 P1 Speed, P2 DepthDepth
COmp:COmp:
This compressor allows you to set an output level and the sensitivity at which it kicks in (EditThis compressor allows you to set an output level and the sensitivity at which it kicks in (Edit
mode). Compressors can produce percussivmode). Compressors can produce percussive, clicky sounds on clean guitar - e, clicky sounds on clean guitar - or mellow sustain for leador mellow sustain for lead
work. Try this stompbox effect on a clean channel and strike the strings softly at first and than harder towork. Try this stompbox effect on a clean channel and strike the strings softly at first and than harder to
hear and feel the effect. Parameter Adjustments: P1 Sensitivity, P2 Levelhear and feel the effect. Parameter Adjustments: P1 Sensitivity, P2 Level
CHOruS:CHOruS:This unmistakable classic warm analog chorus model will no doubt be a staple in your presetThis unmistakable classic warm analog chorus model will no doubt be a staple in your preset
arsenal. arsenal. P1 P1 Speed, P2 DepthSpeed, P2 Depth
aNaLOG pHaSE:aNaLOG pHaSE:
Analog Phase is an effect commonly confused with Flanging. Phasing uses changes in theAnalog Phase is an effect commonly confused with Flanging. Phasing uses changes in the
frequency spectrum to create peaks and valleys in the audio signal. frequency spectrum to create peaks and valleys in the audio signal. Check out “Ain’t TCheck out “Ain’t Talking ‘Bout Love.”alking ‘Bout Love.”
P1 Speed, P2 DepthP1 Speed, P2 Depth
aNaLOG FLaNGE:aNaLOG FLaNGE: Flanging is a time-based audio effect that occurs when two identical signals are mixedFlanging is a time-based audio effect that occurs when two identical signals are mixed
together with one signal slightly delayed. This delay produces a together with one signal slightly delayed. This delay produces a swept comb filter effect. swept comb filter effect. - Check out the- Check out the
intro to “Cowboys from intro to “Cowboys from Hell” or “Barracuda”. Hell” or “Barracuda”. P1 Speed, P2 DepthP1 Speed, P2 Depth
WaH:WaH:The auto wah uses frequency filter sweeps in the range typically associated with vocals to give theThe auto wah uses frequency filter sweeps in the range typically associated with vocals to give the
guitar a “Wah” guitar a “Wah” sound. sound. Think “Voodoo Child” on autopilot. P1 Speed, P2 Think “Voodoo Child” on autopilot. P1 Speed, P2 Sweep DepthSweep Depth