Roland MC-808 - 3. Playing Patterns; Switching Patterns in Real Time

40
Effects editing parameters
39: STEREO DELAY
When Feedback Mode is NORMAL:
fig.MFX39a
When Feedback Mode is CROSS:
fig.MFX39b
40: MODULATION DELAY
Adds modulation to the delayed sound.
When Feedback Mode is NORMAL:
fig.MFX40a
When Feedback Mode is CROSS:
fig.MFX40b
Parameter
Value Description
Feedback
Mode
NORMAL,
CROSS
Selects the way in which delay
sound is fed back into the effect.
(See the figures above.)
Delay Left 0–2000 ms,
note
Adjusts the time until the delay
sound is heard. Delay Right
Phase Left NORMAL,
INVERT
Phase of the delay sound
Phase Right
Feedback
#1
-98– +98 % Adjusts the amount of the delay
sound that’s fed back into the effect.
Negative (-) settings invert the
phase.
HF Damp 200–8000
Hz, BY-
PASS
Adjusts the frequency above which
sound fed back to the effect is fil-
tered out. If you don’t want to filter
out any high frequencies, set this
parameter to BYPASS.
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance #2 D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output level
R in
R out
L in
L out
Feedback
Feedback
Balance W
Balance D
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay
R in
R out
L in
L out
Feedback
Feedback
Balance W
Balance D
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay
Parameter
Value Description
Feedback
Mode
NORMAL,
CROSS
Selects the way in which delay
sound is fed back into the effect (See
the figures above.)
Delay Left 0–2000 ms,
note
Adjusts the time until the delay
sound is heard.
Delay Right
Feedback -98– +98 % Adjusts the amount of the delay
sound that’s fed back into the effect.
Negative (-) settings invert the
phase.
HF Damp 200–8000
Hz, BY-
PASS
Adjusts the frequency above which
sound fed back to the effect is fil-
tered out. If you don’t want to filter
out any high frequencies, set this
parameter to BYPASS.
Rate 0.05–10.00
Hz
Frequency of modulation
Depth 0–127 Depth of modulation
Phase 0-180 deg Spatial spread of the sound
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance # D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output level
R in R out
L in L out
Feedback
Feedback
Balance W
Balance D
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay
Modulation
Modulation
R in
R out
L in
L out
Feedback
Feedback
Balance W
Balance D
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay
Modulation
Modulation
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