Effect Block
A-52
MV-8800 Appendices
Vocodr
Envelope Mode
This setting determines the sound characteristics.
Each sound has its own unique envelope. This is what
gives sounds their characteristic qualities. In
distinguishing one sound from another, it is often the
envelope of a sound that gives us one of our greatest
clues.
Pan Mode
This determines how the vocoder’s sound is positioned.
Hold
Value: Off, On
This setting fixes the formants (p. 49) and determines
whether or not the instrument sound is played.
This allows you to play instrument sounds with the same
vocal formants as those of the sound input via the mic. If
you set the Hold parameter to On and, for example,
speak into the mic (e.g., “A-E-I-O-U”), the instrument
sound is then played using the same formants as that in
the Hold data received the instant the “E” is input.
Mic Sens.
Value:0–100
Adjust the input sensitivity of the mic.
SynthIn Level
Value:0–100
Adjust the input level of the instrument.
•
When using this, input the mic to the L channel and the
instrument to the R channel.
Character 1-10
Value: 0–100
Adjust the volume of each frequency band. This setting
adjusts the tone of the vocoder.
•
The central frequency bands for each channel are as
shown below.
Ch1 = 100.0 [Hz]
Ch2 = 166.8 [Hz]
Ch3 = 278.3 [Hz]
Ch4 = 464.2 [Hz]
Ch5 = 774.3 [Hz]
Ch6 = 1.292 [kHz]
Ch7 = 2.154 [kHz]
Ch8 = 3.594 [kHz]
Ch9 = 5.995 [kHz]
Ch10 = 10.00 [kHz]
Mic Mix Level
Value: 0–100
Adjust the amount of the mic audio (L channel input)
which has passed through the mic HPF that will be
added to the output of the vocoder.
Mic Mix Pan
Value: L63–R63
Adjust the panning of the mic audio.
MicMix HPF
Value: Thru, 1.0–20.0 kHz
This adjusts the frequency at which the high pass filter
(HPF) will begin to affect the mic audio.
With a setting of Thru, the HPF will not be applied.
24 10 Band Vocoder
Value
Explanation
Sharp:
The human voice will be emphasized.
Soft: The instrumental sound will be emphasized.
Long: A vintage sound with long decay will be produced.
Value
Explanation
Mono
the components of each frequency band will be
located in the center
Stereo the odd-numbered frequency bands will be located
at the left, and the even-numbered components at
the right.
L >> R the low frequency bands will be located
increasingly toward the left, and the high frequency
bands will be located increasingly toward the right.
R << L the low frequency bands will be located
increasingly toward the right, and the high
frequency bands will be located increasingly
toward the left.
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