Part
III
IV.
Storing
the
ACCOMP
1
part
1. Press the RECORD button
in
the COMPOSER
section. The display changes to show
" A C 1
".
In
addition to the patterns stored
for the
DRUMS and BASS parts, any previous-
Iy
stored ACCOMP 1 pattern now sounds.
RECORD
o
o
• If you wish
to
delete all the previously stored
ACCOMP 1 part, press the CLEAR button.
2.
Select the ACCOMP 1 sound with the buttons
in
the SOUND SELECT matrix. Select any of
the preset sounds by pressing one of the 3
vertical row buttons and one of the
16
horizon-
tal row buttons.
SOUND SELECT
Recording
and
playback
II
,-
I
'fL
. f
O
0
HARPSI-
HAWAIIAN
XYLO-
PIPE PIPE
FRENCH
ACCOR-
PAN
PIANO
1
CHORD
GUITAR
GUITAR
GLaCKEN
PHONE
ORGAN
1
ORGAN
2
VIOLIN
BRASS
HORN
DiaN
OBOE
FLUTE
S
PECIAll
S
PW
Al4
/
O
0
JAZZ
MUTE
JAZ
Z J
AZ
Z
TR
O
M-
TEN
OR
PIANO
2 E
PIANO
1
GUITAR GUITAR
BANJO
VIBEffiNE
ORGAN
1
ORGAN
2
STRING
S
TRUMPET
BONE
SAX
CLARINET
FLUTE
S
PECIAL2
S
PECIAL5
O
0
SO
Li
P
ROC
K S
TEEL
POP
SY
NTH
SY
NTH
S
YN
TH
A
LT
O
HAR
-
EGRA
ND
EP
IAN02
GUITAR
G
UITAR
CLAVI
K
AlI
MBA
DRU
M
ORGA
N S
TRI
NG
BRASSl
SR
ASS2
SAX
MON
ICA
WH
IS
TlE
S
PE
C/All
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PE
c/Al6
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N 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0
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3.
Play two measures of the polyphonic
ACCOMP 1 pattern
on
the keyboard.
• Record the performance
in
C major for correct
chord progressions during playback.
•
Up
to 4 notes can sound at the same time.
• Play the ACCOMP 1 pattern for two measures
to store it. Then,
as
the two-measure pattern
is repeated,
you
can play the keyboard
to
add
notes to the pattern. The final version of the
ACCOMP 1 pattern
is
the one that is stored.
Here
is
what you play:
• When the CLEAR button
is
pressed, the AC-
COMP 1 part is completely erased.
• Adjust the tempo as necessary.
•
If
either QUANTIZE level is selected during
recording, any unevenness
in
the timing of the
performance is smoothed out. The default set-
ting is
).
(Refer to page 1
9.
)
ACCOMP 1 part
~1:)1~t
~.
~f~~f~~~f~f~l~f~
,~i~
Part
III
V.
Storing
the
ACCOMP
21
ACCOMP
3
parts
Press the RECORD button again. You can record
the
ACCOMP2
part and the ACCOMP 3 part
in
the same manner as for the ACCOMP 1 part.
•
Up
to 3 notes can sound at the same time from
the combined
ACCOMP 2 and ACCOMP 3
parts.
VI.
Finish
storing
the
rhythm
When all the parts to the pattern have been stored
as
desired, press the RECORD button of the
COMPOSER once again to complete the storage
operation.
• The RECORD button turns off, and the display
returns to the tempo display.
About the QUANTIZE function
When you play the keyboard, your timing may
not
be
exact, and that is the way it will
be
recorded and played back. However, when you
record with the
QUANTIZE function
on,
any un-
evenness
in
the timing of your performance is
smoothed out.
Recording
and
playback
RECORD
o
o
RECORD
o
o
To record with the QUANTIZE function on, just
press the
QUANTIZE button to select the
Jl3
or
)I
degree of resolution. For triplet-type patterns,
select
Jl3
; for other patterns,
select)l
. (Note,
however, that note units
smaller than the select-
ed
QUANTIZE level will not .
be
recorded cor-
rectly.
In
this case, record with the QUANTIZE
function off.)
For exampl
e,
if you record the following music with the QUANTIZE level set to
)I:
Written score - - - - - - - - - - - -
I
I
I
Timing of actual :
performance - - - - - - - - - - - - -
~I
-
......
..:.,_
•
.:..:
---,
......
----.:......-----
I I I
I I :
, I
Recorded with : i :
QUANTIZE function - - - - - - - -
I--.....j~-
...
~_-_
... '
---+-----
• The QUANTIZE function also works for PITCH BEND.
In
order to store a smooth, continuous PITCH
BEND, the QUANTIZE function must be off.
Storage capacity
Expressed in terms of notes, the total storage
capacity of the
COMPOSER is approximately 600
notes.
• When the remaining storage capacity becomes
50
notes or less, the display shows the number
of notes which can
be
stored.
• When "0" is shown
on
the display and the
"beep, beep, beep" error message sounds,
no
more data can
be
stored
in
the COMPOSER.
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