Townsend Labs Sphere L22 Precision Microphone System Guide
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Chapter 4: Using the Sphere L22 System ............................................ 26
DAW Signal Chain................................................................................. 26
Preamps..................................................................................................... 27
Preamps with Continuous Gain........................................................ 27
Preamp Modeling................................................................................ 28
Single Channel Usage......................................................................... 29
Monitoring Setups.................................................................................. 29
Monitoring with your DAW Plug-in ................................................... 29
Monitoring with the UAD Plug-in on Apollo .................................... 30
Monitoring the Direct Analog Microphone Output ......................... 31
Microphone Positioning....................................................................... 31
Chapter 5: Off-Axis Correction...................................................................... 33
Technical Details.................................................................................... 33
Proximity Effect....................................................................................... 35
Setting the Controls .............................................................................. 36
Rear Miking .............................................................................................. 37
Additional Applications ........................................................................ 37
Chapter 6: Recording Vocals .......................................................................... 38
Professional Studio ............................................................................... 38
Proximity Effect ................................................................................... 38
Axis ....................................................................................................... 38
The Room ............................................................................................ 39
Home and Project Studios ................................................................. 39
Off-Axis Correction ............................................................................. 39
Acoustic Treatment ............................................................................ 40
Setup for Vocal Recording................................................................. 41