Trïbe Technologie – PASS Manual Page 5
Internal connections
ACTIVE IN (Back): ¼” input, sends the signal to the Buffer by passing in the front ACTIVE input.
ACTIVE IN (Front): ¼” input, sends the signal to the Buffer. Connecting an instrument into this input
disconnects the ACTIVE IN (Back).
Buffer: Burr-Bown professional grade and quality, the output gain is identical to the input gain without
any coloration to the tone. The use of a buffer allows the signal to be split and sent through long cables.
Internally, the signal is sent to the ACTIVE OUT and PASS/ACT OUT in the back.
ACTIVE OUT (Back): ¼” output, receives the signal from the buffer and sends it internally to the IN 1.
Connecting an instrument into this input disconnects the internal signal to IN 1.
PASSIVE IN (Front): ¼” input, serves to transmit the signal of an instrument connected into it, to the
PASS/ACT OUT (Back) output without passing through the Buffer. Connecting an instrument into this
input disconnects the internal connection from the Buffer to the PASS/ACT OUT (Back).
PASS/ACT OUT (Back): ¼” output, receives the signal from the Buffer OR from the PASSIVE IN
(Front).
EXAMPLES OF CONFIGURATIONS:
- Guitar 1 is connected to ACTIVE IN (Back), the signal pass es through the Buffer, then is sent
to the IN 1 (Ready for loop 0), and sent to the PASS/ACT OUT (Back) ready to be sent to
another device. Connecting a cable into ACTIVE OUT (Back) disconnect s the signal send to
IN 1.
- Same situation, but this time you connect Guitar 2 into ACTIVE IN (Front). Guitar 1 is
deactivated, and Guitar 2 replaces the signal on the same outputs.
- Same situation, but this time you connect guitar 2 into PASSIVE IN (Front); Guitar 1 pass es
into the Buffer and the signal stays in the IN 1, the signal of guitar 2 is on the output of
PASS/ACT OUT (Back) without passing through the Buffer. Connecting a cable into
ACTIVE OUT (Back) deactivates the signal of guitar 1 sends it to IN 1.
- More examples in the appendix section.
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