Last update: 2023/11/06 14:11 opus:opus_user_s_manual https://wiki.two-notes.com/doku.php?id=opus:opus_user_s_manual
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the preamp. To further refine your preamp tone, the following controls are provided:
GAIN - this parameter dictates the level of gain applied to the input signal; depending on the
preamp model, the higher this parameter is set, the more driven/distorted/saturated the
preamp tone will be.
BASS - Part of the TSM™ Preamp’s tone stack, this parameter dictates the amount of low-
frequency content applied by the processing of the TSM Preamp Emulation
MIDDLE - Part of the TSM™ Preamp’s tone stack, this parameter dictates the amount of mid-
range frequency content applied by the processing of the TSM Preamp Emulation
TREBLE - Part of the TSM™ Preamp’s tone stack, this parameter dictates the amount of high-
frequency content applied by the processing of the TSM Preamp Emulation
Top Tip: The tone stacks and gain curve within each TSM™ Preamp are unique to the selected
preamp; as such experimentation with these controls is paramount to achieving the desired preamp
tone.
2.2 The TSM™ Poweramp
The TSM™ Poweramp pane provides all options to choose and configure a power-amplifier topology
(Push Pull (PP) or Single Ended (SE)) and the tubes type (6L6, EL34, EL84 or KT88) by simply clicking
on the tube image.
One a topology has been selected, the following controls are provided to further refine your
Poweramp tone:
PENTODE / TRIODE Switch - This parameter allows you to define whether the tube is used in
TRIODE or in PENTODE configurations. As a general rule of thumb, the PENTODE mode features
more headroom and volume than its TRIODE counterpart
VOLUME - Sets the output volume of the TSM™ Poweramp
DEPTH - Sets the tube stage frequency (bandwidth) and defines the range of the CONTOUR’s
impact on the poweramp’s tone
CONTOUR - Sets tone response of the power amp. At 50% the parameter is bypassed.
CONTOUR acts like a loudness EQ; above 50%, it cuts the mid-range of the signal resulting in
more low-end and high-end frequency content in the final tone; below 50% it cuts the low-end
and gently rolls-off the high-end providing a more pronounced mid-range
3. The DynIR™ Engine | Cabinet Miking
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