2017/10/27 04:35 17/21 Torpedo Captor User's Manual
User's manuals - http://wiki.two-notes.com/
If silent miking is needed for a silent stage, you can remove the speaker cabinet of the previous
configuration. Just connect the amp to the Torpedo Captor, and the DI output to the mixing console.
In this configuration, just like when using the Att output, the amp is connected to the internal loadbox
of the Captor. You have to match the impedance of the amp's speaker output and Captor.
5.3 In the studio
In the studio, it's best to use the dry signal of the amplifier and use the Wall of Sound plugin, for a
more realistic speaker simulation. Plus, recording the dry signal means the virtual miking can be done
and fine-tuned after the actual recording.
Just connect the amp to the Captor, and the line output to the audio interface. You'll have to route the
input of the audio interface to a track in your DAW, and add the Wall of Sound plugin on this track. If
needed, please refer to the manual of your specific DAW (and/or audio interface).
Please note that, like with the stage configurations, you can add a speaker cabinet (attenuated or not)
for monitoring, and maybe use a microphone to record a real miked track. You can also use the DI
output to record a speaker simulated track. This way, you can record and mix up to three tracks : real
miking, speaker simulation of the Captor, speaker simulation through Wall of Sound.
5.4 Impedance selection guide
The effective impedance of the ensemble Torpedo Captor + speaker cabinet (ie, the impedance
actually seen by the amplifier) is as follow:
My situation Impedance
I have no speaker cabinet connected to the Captor Impedance of the Captor
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