Akai MPC5000

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Sample Editing: TRIM Mode 118

The MPC5000 will process the SLICED SAMPLES and then the 'TRIM' page,

with the divided sample, will be displayed.

The new sample name of the divided sample will be the original sample

name and a number.

For Example: Sample01 > Sample01-01

Sample01-02

Sample01-03

Main Page

Default Chapter5
- Table of Contents5
Chapter 1: Introduction15
- Overview15
- Hooking up Your MPC500025
- Basic Concepts and Terminology28
- Operating Modes30
Chapter 2: Basic Operation33
- MAIN Page33
- Cursor, Cursor Buttons, [DATA] Wheel33
- Function Buttons33
- [WINDOW] Button33
- [MODE] Button34
- Setting Names34
  - Entering Letters with [DATA] Wheel34
  - Entering Letters with the Numeric Keypad34
Chapter 3: The Sequencer35
- Main Page35
- Recording the Performance36
- Other Useful Features for Recording Sequences38
  - Undo and Redo38
- Erase39
  - Deleting in Real Time39
  - Deleting from the Erase Screen39
- Timing Correct40
- Click/Metronome41
- Note Repeat42
  - Note Repeat Hold42
  - Locate42
- Detailed Information on the Sequence Feature43
- Track Features47
- Continuous Sample Tracks51
  - Selecting a Track with Function Keys51
  - Soloing a Track51
- MIDI Sequencer Features52
- Handling the Sustain Pedal53
- Recording Aftertouch53
Chapter 4: Editing Sequences55
- Selecting a Region for the Editing55
- Selecting the Editing Region by Bar58
  - Copying Bars (COPY)58
    - Inserting a Bar (INSERT)58
    - Deleting a Bar (DELETE)59
- Changing the Order of Tracks (TRACK MOVE)59
Chapter 5: STEP EDIT Mode61
- A Note about Playing Events61
- About Step Edit61
- Now' Field61
- Event List61
- View' Field61
- Event Time' Field61
- Event61
- Basic Operation61
- Events62
- Copying / Pasting an Event65
- Moving an Event65
- Deleting an Event65
- Step Recording66
- Detailed Setting for Step Recording66
Chapter 6: GRID EDIT Mode69
- About Grid Edit69
- Basic Operation70
- Moving an Event71
- Editing in GRID EDIT Mode71
- Copying and Pasting an Event71
- Deleting an Event72
- Entering an Event72
  - Step Recording72
- Detailed Setting for Grid Edit Recording73
  - Auto Step Increment' Field73
  - Duration of Recorded Notes' Field73
- Real Time Recording73
  - Track Lock73
- Controller View and Editing Individual Events74
Chapter 7: SONG Mode75
- Structure of a Song75
- Screens75
- Creating a Song76
  - Deleting a Step76
  - Inserting a Step76
- Playing a Song77
  - [F5] (Sudden)77
  - [F6] (Next)77
- Other Features in SONG Mode77
Chapter 8: HD RECORD Mode81
- Adding Hard Disk Tracks to a Song81
  - About the RECORD Page81
- Recording Hard Disk Tracks82
  - Recording Additional Tracks82
- Viewing Recorded Tracks83
- Selecting the View Range83
- Viewing Individual Disk Tracks83
  - Choosing the Track to View84
- Editing Hard Disk Tracks84
  - Selecting Multiple Tracks84
  - Fine Editing of a Single Track84
- Individual Edit Functions84
- Deleting, Importing and Exporting Tracks86
- Mixing Hard Disk Tracks88
- Mixer Automation90
- Erasing HD Track Automation90
- Mixdown90
  - Mixdown to File90
- Track MIX Access in HD RECORD Mode91
  - Selecting Track MIX91
  - Returning to HD MIX92
Chapter 9: Functions of a Pad93
- Playing with Pads93
- Muting Sequence Tracks with Pads (Track Mute)94
- Track Mute Quantization96
  - Changing the Timing Correct for Track Mute Quantization96
- Change Sequences in Track Mute Mode96
- Program with Pads (Pad Mute)97
  - Operation97
  - Pad Mute Groups97
- Pad Mute Quantization97
  - Pad Mute97
  - Changing the Timing Correct for Pad Mute Quantization98
- Selecting a Sequence to Play with Pads98
- Next Sequence for Next Bar99
Chapter 10: MIXER Mode101
- Program Mixer101
- Viewing Program Info103
- Track Mixer104
- Viewing Track Details105
- Mixer Automation105
  - Shortcut between MIXER and EFFECTS Mode106
- Take over Mode106
- Input Thru106
  - Applying Effects to an Incoming Signal106
Chapter 11: Sampling109
- Preparing the Recording109
  - Starting the Recording110
- Sampling - Detailed Information111
- Recording the Digital Signal111
  - Preparing the Recording111
- Recording the MAIN out111
  - Preparation for Recording111
- Recording the Internal CD's Sound111
- Other Features112
- Direct Recording Feature113
  - Preparing the Recording113
  - Starting the Recording114
Chapter 12: Sample Editing: TRIM Mode115
- Setting the Start / End Points115
- Adjusting the TRIM and LOOP Points at the same Time (LOCK)116
- Deleting Unused Parts from a Sample (DISCARD)117
- Deleting a Section of a Sample (DELETE)117
- Silencing Part of a Sample (SILENCE)117
- Saving Part of a Sample as a New Sample (EXTRACT)117
- Converting a Stereo Sample to Mono (STEREO to MONO)118
- Sample Window Features118
- Other Editing Functions120
- Dividing a Phrase Sample into Several Regions125
- Changing the Tune and Tempo of a Patched Phrase Sample128
- Editing Regions129
  - Extract129
- Setting the Loop130
- Popup List for Samples131
  - Convert Patched Phrases to Sliced Samples131
Chapter 13: Sample, Keygroup and Synth Programs133
- Sample Programs133
- KEYGROUP Type Program144
- Synth Programs147
- Other Program Functions156
Chapter 14: Arpeggiator159
- Editing the Arpeggiator159
- Latching the Arpeggiator160
- Using the Arpeggiator with Pre-Recorded Tracks161
Chapter 15: Effects163
- Applying Effects to a Pad163
- Effect Buss Chaining165
- About CPU Usage165
- Editing Effects165
  - Effect List166
- Routing Effect Buss Output to Individual Outs176
- Using Master Effects176
  - Editing the Master Effects177
- Editing the Effect Set177
- Copy / Paste / Swap Effect Settings178
Chapter 16: Saving and Loading (DISK Mode)179
- About Memory Cards179
- Saving179
- Loading185
- Automatically Create Programs from a Folder188
- Burning Cds189
- Autoload190
- Formatting191
  - Auditioning Synth Programs191
  - Quick File Browser Movements191
Chapter 17: Program and FX Q-LINK Controllers193
- Program Q-LINK Programming193
- Configuring the Q-LINK Sliders & Knobs193
- Resetting the Q-LINK Slider / Knob Value195
- Recording the Slider/Knob Value in a Sequence195
  - [AFTER] Button195
- Sending MIDI Continuous Controllers with a Q-LINK196
- Configuring FX Q-Links196
  - Configuring the FX Q-LINK Sliders & Knobs196
- Default Q-LINK Mode197
  - Bypassing Default Q-LINK197
Chapter 18: Using the MPC5000 with External Devices199
- MIDI Clock199
  - MIDI Sync with the MPC5000 as the Master199
  - MIDI Sync with the MPC5000 as the Slave199
- MIDI Time Code (MTC)200
- Connecting the MPC5000 to a MIDI Keyboard with Built-In Sounds202
- Setting the MIDI Input Channel203
- Connecting the MPC5000 as a Multitimbral Sound Module203
  - Setting MIDI Channel203
- Select Active Track or Sequence with a Program Change203
Chapter 19: Connecting the MPC5000 to Your Computer205
- Connecting the MPC5000 to a Windows - Based PC205
- Connecting the MPC5000 to the Macintosh205
Chapter 20: Other Settings207
- Adjusting the Master Level207
- Sustain Pedal to Duration207
- Truncate Duration208
- Record Aftertouch208
- Tap Average208
- Flash Tempo LED208
- Mute / Stop of One-Shot Samples208
- Setting the ADAT Digital Output209
- Program Audition Note209
- Using the Footswitches209
- Adjustment of Pad Sensitivity and Velocity Curve211
- System211
- Initialize to Factory Default212
- How to Upgrade the MPC5000212
- Specifications214
  - General214
- MIDI Implementation Chart217
Index219

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