Clarion CZ702

English
9
C
Z702
Audio Setup
Selecting speaker
9JGPVJKU RTQFWEV KUVWTPGFQPHQTVJG HKTUV
VKOGQT TGUGV WUGTECPUGNGEVőLOADŒ QT
“INITIALŒFGRGPFKPIQPVJGURGCMGTU[UVGO
5GNGEVőLOADŒ HQT 0QTOCNURGCMGTU[UVGO
HWNNTCPIG QT UGNGEV“INITIALŒHQT9C[QT
9C[U[UVGOU
Speaker system
5RGCMGTU[UVGO 5RGCMGTEQPſIWTCVKQP
014/#. Front 2ch 4GCTEJ 5WDYQQHGTEJ
9#; /KFEJ High 2ch 4GCTEJ
9#; /KFEJ High 2ch 5WDYQQHGTEJ
ŖNormal speaker system (NORMAL)
(TQPVURGCMGT
NGHV
4GCTURGCMGT
NGHV
5WDYQQHGT
(TQPVURGCMGT
TKIJV
4GCTURGCMGT
TKIJV
Ŗ2way speaker system (2WAY)
/KFURGCMGT
NGHV
*KIJ6YGGVGT
NGHV
4GCTURGCMGT
NGHV
/KFURGCMGT
TKIJV
*KIJ6YGGVGT
TKIJV
4GCTURGCMGT
TKIJV
Ŗ 3way speaker system (3WAY)
/KFURGCMGT
NGHV
*KIJ6YGGVGT
NGHV
5WDYQQHGT
/KFURGCMGT
TKIJV
*KIJ6YGGVGT
TKIJV
Setting the X-OVER(Crossover)
6JKUHWPEVKQPCNNQYU[QWVQCFLWUVVJGURGCMGT
UGVVKPIUWEJ CU EWVQHHHTGSWGPEKGUQTUNQRG
OCVEJGFVQ VJG URGCMGTU[QWCTGWUKPI
%TQUUQXGT
2TGUUCPF JQNF VJG [
] DWVVQPVQGPVGT
CORNKHKGTUGVVKPI OQFG 7UGVJG=
]
QT=
?DWVVQPVQUGNGEVCPQRVKQP
2TGUU=VOLUME?MPQDVQEQPſTO
6QTGVWTPVQVJGRTGXKQWUUGVVKPIURTGUUVJG
[ VOLUME ]MPQDCICKP
1. When speaker system is “NORMAL”.
Ŗ TIME ALIGNMENT
 (4106.4EO
 4'#4.4EO
 59.4EO
Ŗ
HPF/LPF FRONT
 (4*2(
  %766*417)**<
  5.12&$
  2*#5'0144'8
Ŗ
HPF/LPF REAR
 4'#4*2(
  %766*417)**<
  5.12&$
  2*#5'0144'8
Ŗ
HPF/LPF S-WOOFER
59.2*
  %766*417)**<
  5.12&$
  2*#5'0144'8
2. When speaker system is “2WAY”.
Ŗ 6+/'#.+)0/'06
 *+)*.4EO
 /+&.4EO
 4'#4.4EO
Ŗ 9:18'4
 *+)**2(
%76*<*<*<*<*<
*<*<*<*<*<
*<*<*<*<*<
*<------
-------
-6*417)*
  5.12&$
 *+)*52-2*#5'0142*#5'4'8
 /+&.2(
%76*<  *<--  -
-  ---  --- 
-6*417)*
  5.12&$
 /+&*2(
%76*<*<*<*<*<
*<------
-----6*417)*
  5.12&$
 /+&52-2*#5'0142*#5'4'8
 4'#4.2(
%76*<*<*<*<*<
*< *<*<  *<*<
Audio Setup
*<*<*<*<*<
*<------
-----6*417)*
  5.12&$
 4'#4*2(
%76
*< *< *<*<*<
*<  *<*<*<  *<
*<*<*<6*417)*
  5.12&$
 4'#452-2*#5'0142*#5'4'8
Ŗ 52)#+0
 *+)*&$
 /+&&$
 4'#4&$
3. When speaker system is “3WAY”.
Ŗ 6+/'#.+)0/'06
 *+)*.4EO
 /+&.4EO
 59.4EO
Ŗ
 9:18'4
 *+)**2(
%76*<*<*<*<*<
*<  *<*<*<  *<
*< *< *<*<*< 
*<------
-------
-6*417)*
  5.12&$
 *+)*52-2*#5'0142*#5'4'8
 /+&.2(
%76  *<*<-  - -
-------
-6*417)*
  5.12&$
 /+&*2(
%76*<*<*<*<*<
*<  *<*<*<  *<
*< *< *<*<*< 
*<------
-----6*417)*
  5.12&$
 /+&52-2*#5'0142*#5'4'8
 59.2*
%76*<  *<*<*< *<
*<  *<*<*<  *<
*< *< *<*<*< 
*<------
-----6*417)*
  5.12&$
 59*2(
%766*417)*
 *< *<*<
*< *< *<*< *< 
*<*<*<*<*<
  5.12&$
 5952-2*#5'0142*#5'4'8
Ŗ 52)#+0
 *+)*&$
 /+&&$
 5911('4&$
STORE/RECALL (NORMAL, 2WAY and 3WAY
mode)
4QVCVGVJG =VOLUME? MPQDVQEJQQUGŒSTORE /
RECALLŒ2TGUUVJG=VOLUME?MPQDVQEQPſTO
Ŗ STORE
4QVCVGVJG=VOLUME?MPQDVQUGNGEVCRQUKVKQP
COQPIŒMEMORY 12 and 3Œ6JGPRTGUUCPF
JQNFVJG=VOLUME?MPQDVQUVQTG
Ŗ RECALL
4QVCVGVJG=VOLUME?MPQDVQUGNGEVCRQUKVKQP
COQPIŒMEMORY 1 2 and 3Œ6JGPRTGUUVJG
=VOLUME?MPQDVQTGECNN
Adjusting Sound Mode
5JQTVRTGUUVJG = ? DWVVQPVQGPVGTUQWPF GHHGEV
UGVVKPIOQFG (KTUV RTGUUUJQYUEWTTGPV'3
4QVCVGVJG =VOLUME? MPQDVQEJCPIGVJG$'#6
'3KPVJKUQTFGT
1((  $$1156  +/2#%6 ':%+6' 
%7561/
4QVCVGVJG [VOLUME] MPQDVQEJQQUGVJG
%7561/CPF RTGUU VJG[VOLUME]MPQDVJGP
RTGUU
=
?QT= ] DWVVQPVQUGNGEVKV including:
$#0& )  $#0&( $#0&  3  $#0&
) $#0&( $#0&3 $#0&) 
$#0& (  $#0&3 $#0&  )  $#0&
(  $#0&3   $#0&)  $#0&( 
$#0&3TQVCVGVJG[VOLUME]MPQDVQUGNGEV C
XCNWG
$#0&)
$#0&(*<-6*417)*
$#0&3
2TGUUVJG [
] DWVVQPVJGPRTGUU= ]
QT=
?DWVVQP VQ UGNGEV75'4RTGUGVKPENWFKPI
$#.#0%'  (#&'4  57$981.5WDYQQHGT
8QNWOGTQVCVG VJG =VOLUME?MPQDVQUGNGEV C
XCNWG
$#.#0%'.'(6 %'06'4 4+)*6
(#&'4 .'(6 %'06'4 4+)*6
57$981.
Note:
6JGUGVVKPIKVGOUDGNQYCTGPQVUVQTGFKPOGOQT[
#HVGTRESETQTVJGDCEMWRNKPGKUFKUEQPPGEVGF
TGFQVJGUGUGVVKPIU9GTGEQOOGPF[QWVQVCMGC
PQVGVQMGGRVJGTGEQTFU