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Type | Bass Amplifier |
---|---|
Solid State/Tube | Solid State |
Number of Channels | 1 |
Inputs | 1 x 1/4" |
Effects Loop | Yes |
Impedance | 4 ohms |
Outputs | 1 x XLR |
Footswitch I/O | Yes |
Frequency Response | 20 Hz - 20 kHz |
EQ | 4-band EQ with semi-parametric mid control |
Controls the gain and frequency for the mid-range frequencies on both channels.
Adjusts the overall output volume for the main output jack.
A shelving type filter for adjusting bass frequencies with a wide gain range.
Inverts the phase of the A channel's signal when needed.
Mutes all outputs except the FX Send, useful for silent changes.
Switch for using Electret pickups on the A channel (INPUT).
Selects between High Pass or Notch filter functions for the preamplifier.
Sets the input source for channel B to 1/4" or XLR.
Controls the input signal level for optimal signal processing.
A shelving filter for adjusting treble and upper mid-range frequencies.
Works with TYPE switch to adjust High Pass or Notch filter frequency.
Selects between input channels A, B, or A+B.
Output taken at FX send, active when Mute is on, for tuner connection.
Allows connection of external effects in parallel mode via TRS cable.
The main output jack for connecting to an amplifier or power amplifier.
Direct input for channel B or both A+B when A+B switch is inner.
Manages input signal routing between channels A, B, and A+B.
High impedance, low noise instrument input for channel A.
Input for +48V Phantom microphones on channel B.
Sends a balanced output signal after equalization.
Adds an emulated speaker simulation to the balanced output.
Eliminates ground noise and hum by disconnecting the ground.
Input for monitoring with headphones, volume adjusted by source.
Jack for connecting headphones for silent practice.
Connection point for the 9V DC power supply.
Details input impedance, gain, and filter characteristics.
Details for effects loop, outputs, and inputs.
Covers power requirements, dimensions, and weight.