Mustang Micro has 12 dierent eects models to choose among (including combined eects).
To choose an eect, use the EFFECTS -/+ buttons (E) on the side of the unit. EFFECTS LED color
indicates eect model in use; LED will illuminate for 10 seconds and then extinguish until any
button is pressed.
Eects models and LED colors are:
SELECTING AN EFFECTS MODEL
LED COLOR EFFECT NAME EFFECT DESCRIPTION
White Large Hall Reverb
Simulates the kind of bright reverb often heard in halls the size of
movie theaters.
Red ’65 Spring Reverb
Fender reverb eect built into classic mid-’60s Fender amps.
Green Modulated Large Hall Reverb
Strong, bright reverb simulating the size of a major performance
hall, with lush modulation added to internal reverb structure.
Blue
Sine Chorus/Large Room
Reverb
Smoothly rounded chorus that uses sine-wave modulation, combined
with warm-sounding reverb of larger rooms such as nightclubs.
Yellow
Triangle Flanger/Large Room
Reverb
Distinctive anging eect that uses triangle-wave modulation, com-
bined with warm-sounding reverb of larger rooms such as nightclubs.
Magenta
Vintage Tremolo/Spring
Reverb
Classic Fender “stuttering” photoresistor tremolo, combined with
classic early-to-mid-1960s spring reverb.
Turquoise Vibratone/Large Room Reverb
Classic late-’60s/early-’70s Fender rotating speaker bae eect, com-
bined with warm-sounding reverb of larger rooms such as nightclubs.
Orange
Harmonic Tremolo/Large
Room Reverb
Based on distinctive tremolo of certain early-’60s Fender amps, com-
bined with warm-sounding reverb of larger rooms such as nightclubs.
Raspberry
Slapback Delay/Large Room
Reverb
Classic slapback delay combined with warm-sounding reverb of
larger rooms such as nightclubs.
Spring Green
Tape Delay/Small Room
Reverb
Based on a classic analog tape echo unit with imperfections that
created distinctive “wow” and “utter”, combined with warmer, less
echo-y reverb typical of smaller spaces and classic echo chambers.
Violet
Sine Chorus/Mono Delay/
Large Hall Reverb
Smoothly rounded chorus that uses sine-wave modulation, combined
with clean, simple delay and strong, bright-sounding reverb of large halls.
Cyan
2290 Delay/Large Room
Reverb
Inspired by the 1980s TC Electronic TC 2290 digital delay—prized for
its crisp repeats and versatile panning/modulation options—com-
bined with warm-sounding reverb of larger rooms such as nightclubs.
All non-FMIC product names and trademarks appearing in this manual are the property of their respective owners and are used solely to identify the products whose tones
and sounds were studied during sound model development for this product. The use of these products and trademarks does not imply any aliation, connection, sponsor-
ship, or approval between FMIC and with or by any third party.
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