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Fostex 450 - Buss and Monitor Output Controls; Input and Output Jacks Overview

Fostex 450
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L/R
can
be
divided
into
four
groups
channels
1
and
2,
3
and
4,
AUX
1
and
AUX
2
L/R.
By
pressing
the
1
and
2
buttons
together,
the
signal
from
channel
1
is
applied
to
the
left
channel
of
PHONES
and
MONITOR
OUT,
and
the
signal
from
channel
2
is
applied
to
the
right
channel.
Press
either
1
or
2,
and
the
signal
selected
can
be
applied
to
both
the
left
and
right
channels.
The
3
and
4
group
functions
in
the
same
way
as
group
1
and
2.
When
the
AUX
1
button
is
depressed,
the
AUX
1
signal
is
applied
to
both
PHONES
and
MONITOR
OUT.
The
group
function
of
the
AUX
2
button
is
the
same
as
for
BUSS
1
and
2
or
BUSS
3
and
4.
When
the
four
button
groups
(BUSS
1
and
2,
BUSS
3
and
4,
AUX
1,
and
AUX
2)
are
simultaneously
depressed,
these
signals
will
be
mixed
and
applied
to
PHONES
and
MONITOR
OUT.
17.
METER
SELECT
SWITCH
[METER]
Chooses
the
four
LED
bargraph
meter
display
for
4-channel
buss
out
signals
or
the
stereo
master
outputs.
When
set
for
stereo
master
out,
the
two
LED
bargraph
meters
at
the
right
side
will
not
function.
18.
SOLO
LEVEL
CONTROL
[SOLO]
This
is
the
knob
to
control
monitor
level
of
the
input
channel
solo
and
4-channel
buss
out
solo
signal.
As
monitor
levels
are
normally
set
first
(see
the
following
items
19)
and
20),
solo
level
is
generally
set
second.
19.
MONITOR
LEVEL
CONTROL
[MONITOR]
This
pot
controls
the
monitor
output
level.
20.
HEADPHONE
LEVEL
CONTROL
[PHONES]
21.
STEREO
MASTER
OUTPUT
LEVEL
CONTROL
[STEREO
MASTER]
The
master
level
control
of
the
4-channel
buss
output
signal
mixed
down
to
stereo.
22.
4-CHANNEL
BUSS
MASTER
FADER
23.
HEADPHONE
JACK
[PHONES]
These
two
jacks
are
wired
in
parallel.
24.
LED
BARGRAPH
METERS
These
display
levels
of
the
4-channel
buss
output
or
stereo
master
output.
25.
SOLO
INDICATOR
[SOLO]
This
LED
is
lit
when
either
the
input
channel
solo
or
4-channel
buss
out
solo
button
is
depressed.
26.
POWER
INDICATOR
[POWER]
27.
POWER
SWITCH
[POWER]
28.
PHANTOM
POWER
SWITCH
[PHANTOM]
Phantom
power
supply
voltage
is
48V
DC.
30.
TAPE
IN
JACK
[TAPE
IN]
Input
jacks
for
receiving
(normally)
the
outputs
from
a
multi¬
track
recorder.
In
addition,
these
jacks
can
be
used
to
connect
outputs
from
reverberation
units,
compressor/limiters
and
other
line
level
sources.
31.
ACCESSORY
SEND/RECEIVE
JACK
[ACC
SEND
RCV]
This
is
the
patch
point,
between
the
preamplifier
output
and
the
input
fader,
where
a
signal
processor,
such
as
an
equalizer,
is
plugged
in.
'
32.
PHONE
JACK
INPUTS
[INPUT]
These
input
jacks
are
for
unbalanced
inputs
from
mic
level
to
line
level:
from
—60dBV
(ImV)
through
—20dBV
(0.1V).
Input
impedance
is
about
50K
ohms.
33.
XLR
JACK
INPUTS
[INPUT]
These
jacks
are
for
balanced
mic
input
signals
and
will
handle
levels
of
-60dBV
(ImV)
through
—20dBV
(0.1V).
Unbalanced
signals
can
also
be
handled
by
these
XLR
jacks:
pins
#1
and
#2
will
be
GND;
PHANTOM
must
be
switched
OFF.
34.
4-CHANNEL
BUSS
IN
[4
CHAN
BUSS
IN]
Input
jacks
for
mixing
the
outputs
from
an
external
processor
into
the
4-channel
buss
line.
35.
4-CHANNEL
BUSS
OUT
[4
CHAN
BUSS
OUT]
Normally,
these
jacks
will
feed
a
multitrack
recorder.
36.
AUX
2
BUSS
IN
[AUX
2
IN]
Input
jacks
for
mixing
the
outputs
from
an
external
processor
into
the
AUX
2
buss
line.
37.
AUX
2
BUSS
OUT
[AUX
2
OUT]
The
AUX
2
buss
output
jacks
are
for
a
monitor
amplifier,
master
recorder,
etc.
38.
AUX
1
BUSS
IN
[AUX
1
IN]
Input
jacks
for
mixing
the
outputs
from
an
external
processor
into
the
AUX
1
buss
line.
39.
AUX
1
BUSS
OUT
[AUX
1
OUT]
The
AUX
1
buss
output
jacks
are
for
signal
processors,
slap
echo
recorders,
etc.
40.
MONITOR
OUTPUT
[MON
OUT]
The
4-channel
buss
out,
the
AUX
1
buss
out
or
the
AUX
2
buss
out,
as
selected
by
the
MONITOR
select
switch,
is
active
here.
These
outputs
are
generally
connected
to
the
cue
and
monitor
amplifiers.
41.
STEREO
MASTER
OUTPUT
[STEREO
MASTER]
The
4-channel
buss
out
after
mixdown
to
stereo
is
the
output
here,
and
it
is
generally
applied
to
the
2-channel
master
recorder.
42.
AC
POWER
CORD
29.
D
IRECT
OUT
JACK
[D.
OUT]
This
output
stage
is
immediately
after
the
input
fader
and
parametric
equalizer.
3

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