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Fostex 450 - Section 5 Using the Parametric Equalizer

Fostex 450
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Figure
4-3.
A
stereo
processor
is
patched
to
the
Aux
2
buss
with
your
choice
of
pre-
or
post-EQ
and
fader
SECTION
5
USING
THE
PARAMETRIC
EQUALIZER
The
Model
450
incorporates
one
fixed
and
two
band
parametric
type
equalizers
which
have
considerable
advantage
in
fine-tuning.
When
equalizing
individual
instruments
it
is
preferable
to
emphasize
a
narrow
band
around
a
preselected
frequency.
While
a
graphic
equalizer
or
switched
frequency
may
provide
a
greater
selection
of
frequencies,
the
parametric
design
permits
you
to
find
the
fundamental
tonal
qualities
of
instruments
of
those
frequency
bands
which
give
you
the
maximum
control
over
the
sound.
In
PA
applications,
you
will
find
that
you
can
tune
out
acoustic
feedback
or
ringing,
or
correct
a
gross
house
resonance.
IMPORTANT:
Before
using
any
equalizer,
always
try
to
achieve
the
sound
that
you
want
by
moving
the
position
of
the
microphone
or
changing
the
microphone
type.
Learn
to
use
good
microphone
techniques
before
applying
electronic
tone
correction.
TYPICAL
EQUALIZATION
RESPONSE
GRAPH
INSTRUMENT
CUTTING
BOOSTING
OTHER
COMMENTS
Human
Voice
Scratchy
at
2kHz
Nasal
at
1kHz
Popping
p's
below
80Hz.
Hot
at
8
or
12kHz
Clarity
above
3kHz
Body
at
200—400Hz
Tend
towards
thin
when
blending
many
voices
Piano
Tinny
at
1—2kHz
Boomy
at
320Hz
Presence
at
5kHz
Bass
at
125Hz
Not
too
much
bass
when
mixing
with
rhythm
section
Electric
Guitar
Muddy
below
80Hz
Clarity
at
3.2kHz
Bass
at
125Hz
Acoustic
Guitar
Tinny
at
2-3.2kHz
Boomy
at
200Hz
Sparkle
above
5kHz
Full
at
125Hz
Electric
Bass
Tinny
at
1kHz
Boomy
at
125Hz
Growl
at
620Hz
Bass
below
80Hz
Sound
varies
greatly
with
strings
used
String
Bass
Hollow
at
620Hz
Boomy
at
200Hz
Slap
at
3.2—5kHz
Bass
below
200Hz
Snare
Drum
Annoying
at
1
kHz
Crisp
above
2kHz
Full
at
125Hz
Deep
at
80Hz
Also
try
adjusting
tightness
of
snare
wires
Bass
Drum
Floppy
at
620Hz
Boomy
below
80Hz
Slap
at
3.2—5kHz
Bass
at
80—125Hz
Usually
record
with
front
drum
head
off
Put
blanket
inside
of
drum
resting
against
the
head.
6

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