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MULTI
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■ 3–5(6): UTILITY
☞ “Write Multi,” “Copy From Combi” (0–1)
3–7: 1–4..8 (MIDI Filter2–2 T01–08)
3–8: 1–4..16 (MIDI Filter2–2 T09–16)
3–7(8)a: JSX/PBend as AMS, Ribbon
CC#16
JSX/PBend as AMS [Off, On]
X50:
Specifies whether MIDI pitch bend messages (move-
ment of the X50’s Pitch wheel) will apply the AMS (☞p.151
“Alternate Modulation Source”) assigned to Pitch Bend.
(This is not a filter for MIDI pitch bend messages.)
microX: This parameter specifies whether the effect of the
AMS (☞p.151 “Alternate Modulation Source”) assigned to
JS X will be received when MIDI pitch bend messages (the
X-axis) are received. (This is not a reception filter for MIDI
pitch bend messages.)
Ribbon CC#16 [Off, On]
MIDI control change message CC#16 (REALTIME CON-
TROLS B-assign, or the assignment of a ribbon controller on
a TRITON Extreme or other instrument connected to the
MIDI IN connector) will be received.
■ 3–7(8): UTILITY
☞ “Write Multi,” “Copy From Combi” (0–1)
MULTI 4: MIDI Filter2
Specifies whether the A- and B-mode operations of REAL-
TIME CONTROLS knobs [1]–[4] will be received. MIDI con-
trol messages are fixed as the A-mode operation of each
knob. In B-mode the knobs correspond to the messages you
assign in the 7: Arp/Ctrls, Controls page.
X50: Specifies whether the effects of [SW1] and [SW2] will
be received. The assignable switches [SW1] and [SW2] corre-
spond to the messages that are assigned to the 7: Arp/Ctrls,
Controls page.
4–1: M2–1..8 (MIDI Filter2–1 T01–08)
4–2: 2–1..16 (MIDI Filter2–1 T09–16)
4–1(2)a: Realtime Control Knob 1, 2
Knob1 [Off, On]
Specifies whether or not the A-mode [1] knob MIDI control
change message #74 (low pass filter cutoff frequency) and
the B-mode [1] knob MIDI control change message will be
received.
Knob2 [Off, On]
Specifies whether or not the A-mode [2] knob MIDI control
change message #71 (low pass filter resonance or high pass
filter cutoff frequency) and the B-mode [2] knob MIDI con-
trol change message will be received.
■ 4–1(2): UTILITY
☞ “Write Multi,” “Copy From Combi” (0–1)
3–7a
4–1a
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