38
4.0
EFFECTS
This
section
consists
of
a limited
number
of
set-ups
for
typical
M.93
effects.
Its
intent
is
to provide the user with a point of departure
from
which
he
may
begin using
M.93.
These basic set-up guidelines are not
necessarily
optimum
for
different
sources
and
situations.
Considerable
variation
of
delay times,
function
settings,
and/or
relative
levels
from
the
settings
depicted
may
be
required depending
on
the source being processed
and
the
particular
shading
of
the enhancement
or
effect
desired.
Accomodating
different
input levels,_
altering
the level
of
delay
recirculation,
and
balancing outputs for
stereo
effects*
are
good
examples
of
situations
where
such
variations
will
be
common.
It
is
expected
that
users
of
M.93
will explore
at
considerable length the
virtually
endless
possibilities
for
special
effects
and
enhancements. Since
the
unit
provides a very high degree
of
operational
flexibility,
many
novel
effects
and
applications
will
be
developed
by
creative
audio engineers
and
musicians. Should
this
happen
and
you
feel
that
you
would
like
to share
it
with
us
or discuss
it,
please drop
us
a
line
or
call:
Lexicon, Inc.
Prime
Time
Applications
60
Turner
Street
Waltham,
MA
02154
(617) 891-6790
*
Note
that
varying the
INPUT
MIX
MASTER
control not only changes the level
of
the input
mix
but changes the delay tap
levels
as well. Increasing the
INPUT
MIX
MASTER
control,
for
example, causes a
relative
increase in the
amount
of
recirculated
delay.
To
balance the
INPUT
MIXER
OUT
and
the
MASTER
OUTPUT
for
stereo
effects,
vary the
OUTPUT
MIX
MASTER
control matching the
MASTER
OUTPUT
level to the
INPUT
MIXER
OUT
level.
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