Mackie HDA - Page 8

HDA: POLE-MOUNTED WITH POWERED SUBWOOFER(S)
This type of setup will typically be found at small indoor or outdoor gigs, festivals, weddings, or parades
where a high output PA with wide coverage and throw is necessary. This is a great setup for local DIY
bands, too.
The left output from a mixer feeds INPUT A of a Mackie HD1801 powered subwoofer. The HIGH PASS
OUTPUT A of the subwoofer feeds the MAIN INPUT of a Mackie HDA powered loudspeaker. The LOOP OUT of
that Mackie HDA powered loudspeaker feeds the MAIN INPUT of the next Mackie HDA powered loudspeaker.
The HDAs reproduce the mid-to-high frequencies in mono, and the subs provide the low frequencies in mono.
The Array Mode switch should be in the ‘1-2’ position on both units.
Since two HDAs are in the array, it is possible to reproduce this exact same hookup in stereo. Simply utilize
the left and right main outputs from the mixer to feed the main inputs of each subwoofer and mirror the rest of
the system as identifi ed above.
Another important aspect to keep in mind is the rigging setup of loudspeakers. In this diagram, the HDAs
are pole-mounted on a subwoofer, utilizing an SPM200 adjustable pole. Refer to page 17 to view a table listing
other confi guration possibilities and pages 18 and 19 for more information about rigging.
Note that the HDAs AC power may be linked via the AC LOOP. Refer to page 6 for details on daisy-chaining
AC power.
01 PLATE REVERB
02 VOCAL PLATE
03 WARM ROOM
04 BRIGHT ROOM
05 WARM LOUNGE
06 SMALL STAGE
13 CHORUS
14 CHORUS + REVERB
15 DOUBLER
16 TAPE SLAP
17 DLY 1 BRIGHT (350ms)
18 DLY 1 WARM (300ms)
19 DLY 2 BRIGHT (250ms)
20 DLY 2 WARM (200ms)
21 DLY 3 BRIGHT (175ms)
22 DLY 3 WARM (150ms)
23 CHORUS + DLY (300ms)
24 REVERB + DLY (200ms)
FX PRESETS
TAP TO EDIT
07 WARM THEATER
08 BRIGHT STAGE
09 WARM HALL
10 CONCERT HALL
11 CATHEDRAL
12 GATED REVERB
GAIN
1
GAIN
2
GAIN
3
GAIN
4
GAIN
5
GAIN
6
GAIN
7
GAIN
8
GAIN
9
GAIN GAIN GAIN GAIN GAIN GAIN
10 11 12 13 14 15
GAIN GAIN GAIN GAIN GAIN GAIN
20 21/22 23/2417 18 19
GAIN
16
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
PAD
-20dB
LOW CUT
100 Hz
18dB/OCT
AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUXAUX
2404
M
M
UT
UT
E
1
M
UT
UT
E
2
M
UT
UT
E
3
M
UT
UT
E
4
M
UT
U
T
E
5
M
UT
UT
E
6
M
UT
UT
E
7
M
UT
UT
E
8
M
UT
UT
E
9
M
UT
UT
E
10
10
M
UT
U
T
E
11
11
M
UT
UT
E
12
12
M
UT
UT
E
13
13
M
UT
UT
E
14
14
M
UT
UT
E
15
15
M
UT
UT
E
18
18
M
UT
UT
E
19
19
M
UT
UT
E
20
20
M
UT
UT
E
21/22
21/22
M
UT
UT
E
23/24
23/24
M
UT
UT
E
16
16
M
UT
UT
E
17
17
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ EQ EQ EQ EQ EQ
PAN PAN PAN PAN BAL BAL
EQ
PAN
RLRLRLRLRLRLRLRLRLRLRLRLRLRLRL
RLRLRLRLRLRLRL
INT FX
AUX 5/6
PRE
H
I
12k
LO
W
8
0
H
z
MI
D
INT FX
AUX 5/6
PRE
H
I
1 2
k
LO
W
8
0
H
z
M
I
D
INT FX
AUX 5/6
PRE
H
I
1 2
k
LO
W
80
H
z
M
I
D
INT FX
AUX 5/6
PRE
H
I
1
2
k
LO
W
80
H
z
M
I
D
INT FX
AUX 5/6
PRE
H
I
1
2
k
LO
W
80
H
z
M
I
D
INT FX
AUX 5/6
PRE
H
I
1
2k
LO
W
8
0
H
z
M
I
D
INT FX
AUX 5/6
PRE
H
I
1 2
k
LO
W
8
0
H
z
M
I
D
INT FX
AUX 5/6
PRE
H
I
1
2
k
LO
W
8
0
H
z
M
I
D
INT FX
AUX 5/6
PRE
H
I
12
k
LO
W
8
0
H
z
M
I
D
INT FX
AUX 5/6
PRE
H
I
12
k
LO
W
8
0
H
z
MI
D
INT FX
AUX 5/6
PRE
H
I
1
2k
LO
W
8
0
H
z
M
I
D
INT FX
AUX 5/6
PRE
H
I
12k
LO
W
8
0
H
z
MI
D
INT FX
AUX 5/6
PRE
H
I
1
2k
LO
W
80
H
z
MI
D
INT FX
AUX 5/6
PRE
H
I
1
2
k
LO
W
80
H
z
M
I
D
INT FX
AUX 5/6
PRE
H
I
1
2
k
LO
W
80
H
z
M
I
D
F
R
E
Q
F
R
E
Q
F
R
E
Q
F
R
E
Q
F
R
E
Q
F
R
E
Q
F
R
E
Q
F
R
E
Q
F
R
E
Q
F
R
E
Q
F
R
E
Q
F
R
E
Q
F
R
E
Q
F
R
E
Q
F
R
E
Q
INT FX
AUX 5/6
PRE
S
O
LO
L
E
FT
TAP
DELAY
INT FX
MUTE
INT FX
AUX 5/6
PRE
H
I
1
2
k
LO
W
8
0
H
z
M
I
D
INT FX
AUX 5/6
PRE
H
I
1
2
k
LO
W
8
0
H
z
M
I
D
INT FX
AUX 5/6
PRE
H
I
12
k
LO
W
8
0
H
z
M
I
D
H
I
12
k
LO
W
8
0
H
z
MI
D
H
I
12k
LO
W
8
0
H
z
H
I
1 2k
LO
W
8
0
H
z
LO
W
M
I
D
4
0
0
H
z
H
I
M
I
D
2
.
5
k
LO
W
M
I
D
4
0
0
H
z
H
I
M
I
D
2
.
5
k
INT FX
AUX 5/6
PRE
INT FX
AUX 5/6
PRE
INT FX
AUX 5/6
PRE
H
I
1
2
k
LO
W
80
H
z
M
I
D
F
R
E
Q
F
R
E
Q
F
R
E
Q
F
R
E
Q
F
R
E
Q
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
PUSH
TO TALK
TALKBACKGROUPS
MAIN
R
I
G
H
T
AUX 1-4
S
T
E
R
E
O
R
I
G
H
T
S
O
LO
LE
F
T
TO AUX 1
TO AUX 2
SOLO
PHONES
MONITOR
TAP
DELAY
INT FX
MUTE
TO AUX 1
TO AUX 2
R
I
G
H
T
S
O
LO
S
T
E
R
E
O
L
E
FT
R
I
G
H
T
S
O
LO
LE
F
T
SEND MASTERSEND MASTER
TO MAINTO MAIN
FX
2
FX
1
1234
MAIN MIX
SOLO
1
SOLO
1
2
3
4
2
SOLO
SOLO MODE
MAIN
FX 1
USB
STEREO RETURNSAUX MASTERS
SOLO
SOLO
SOLO
SOLO
+15
OO
+15
OO
+15 OO
SOLO
U
MAX
OO
U
U
MAX
OO
U
MAX
OO
FX 2
U
MAX
OO
U
MAX
OO
SIG/OLSIG/OL
AUX
AUX
AUX
AUX
MAIN
MIX
0
d
B
=
0
d
B
u
R
U
D
E
S
O
LO
20
1
0
7
4
2
0
2
4
7
1
0
20
3
0
LEFT RIGHT
SOLO
MAX
OO
U
MAX
OO
U
MAX
OO
U
MAX
OO
U
MAX
OO
U
MAX
OO
U
+20
OO
TO MAIN
PFL
AFL
GRP 1-2
CH 1-2 CH 3-4
AUX 5-6
P
W
R
48
V
TAPE
USB
2-TRACK RETURN USB OUT
GRP 3-4
MAIN L/R
LEVEL
SET
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
UU
MAX OO
OFF MAX
COMP
OFF MAX
COMP
OFF MAX
COMP
OFF MAX
COMP
LEVEL
U
+15
OO
3
1
5
6
2
U
U
+15
OO
U
+15
OO
+15 OO
U
+15
OO
U
4
U
U
+20-20
U
+20-20
1
2V
0.
5A
50%
25% 75%
0% 100%
SUCK
OFF MAX OFF MAX OFF MAX OFF MAX
COMP COMP COMP COMP
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
S
O
LO
3
-
4
1-
2
L
/
R
2k
060
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
O
L
S
I
G
S
I
G
S
I
G
S
I
G
S
I
G
S
I
G
S
I
G
S
I
G
S
I
G
S
I
G
S
I
G
S
I
G
S
I
G
S
I
G
S
I
G
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
dB
30
20
10
OO
40
50
5
5
U
60
10
S
O
LO
3
-
4
1-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
O
LO
3
-
4
1-
2
L
/R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
O
L
O
3
-
4
1-
2
L
/R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
O
LO
3
-
4
1-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
O
LO
3
-
4
1-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
O
LO
3
-
4
1-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
O
LO
3
-
4
1-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
O
LO
3
-
4
1-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
O
LO
3
-
4
1-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
O
LO
3
-
4
1-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
O
LO
3
-
4
1-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
O
LO
3
-
4
1-
2
L
/R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
O
LO
3
-
4
1-
2
L
/R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
O
LO
3
-
4
1-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
060
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
060
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
060
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
060
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
060
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
060
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
060
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
060
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
060
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
060
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
060
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
060
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
060
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
060
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
060
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
060
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
060
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
2k
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
-15 +15
-15 +15
U
U
-15 +15
-15 +15
U
-15 +15
U
-15 +15
U
-15 +15
U
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
060
-45dB+15dB
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
U
dB
30
20
10
OO
40
50
5
5
U
60
10
dB
30
20
10
OO
40
50
5
5
U
60
10
dB
30
20
10
OO
40
50
5
5
U
60
10
dB
30
20
10
OO
40
50
5
5
U
60
10
dB
30
20
10
OO
40
50
5
5
U
60
10
S
I
G
S
O
LO
3
-
4
1-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
I
G
S
O
LO
3
-
4
1-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
I
G
S
O
LO
3
-
4
1-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
I
G
S
O
LO
3
-
4
1-
2
L
/R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
I
G
S
O
LO
3
-
4
1
-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
I
G
S
O
LO
3
-
4
1-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
I
G
S
O
LO
3
-
4
1-
2
L
/R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
060
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
HIGH PASS
OUTPUT A
LEFT MAIN OUT
INPUT A
MAIN INPUT
MAIN INPUT
LOOP OUT
Mixing Console
(Mackie 2404-VLZ3 shown)
8
HDA
HDA