What to do if my Manley Music Equipment is distorting?
- MMonica StoneJul 27, 2025
If your Manley Music Equipment is distorting, begin by verifying your settings and meters. It may also be a wiring issue or a mismatch.
What to do if my Manley Music Equipment is distorting?
If your Manley Music Equipment is distorting, begin by verifying your settings and meters. It may also be a wiring issue or a mismatch.
Why has my Manley Music Equipment become hissy?
If your Manley Music Equipment is hissy, it's likely a tube issue. Try swapping tubes to identify the problematic one.
How to stop hum in Manley Music Equipment?
If your Manley Music Equipment is humming, it’s most likely due to a ground loop. Try using a 3-pin to 2-pin AC adapter to resolve this.
Why do the levels seem wrong on my Manley Music Equipment?
If your Manley Music Equipment levels seem wrong and lack bottom end, the cause is probably wiring. Carefully inspect the cables, as they may have been modified for use with a specific unit and are not suitable for other situations.
What to do if my Manley Music Equipment makes noises when tapped?
If your Manley Music Equipment makes noises when the front panel is tapped, it's possible that some tubes have become microphonic over time. Replacing the tube should solve this issue.
Why does my Manley Music Equipment have lights but no sound?
If your Manley Music Equipment has lights but no sound, it's probably a wiring issue. First, try plugging the input and output cables into each other or another piece of equipment to make sure your wires are working correctly.
How to fix Manley Music Equipment with no power?
If your Manley Music Equipment has no power and no indicators, the issue is likely related to AC power. Check the fuse on the back panel.
Covers essential operational points including location, ventilation, water hazards, and servicing advice.
Guides on connecting microphones using all sections or just preamp/compressor.
Guides on connecting line-level sources using all sections or specific parts.
Information for customers on the proper disposal of electrical and electronic equipment.
Details on Instrument Input, Input Level, and Gain Switch for signal conditioning.
Covers Phantom Power, Low Filter, Phase Switch, and VU Meter functions.
Explains the bypass function and core compressor controls like Threshold, Attack, and Release.
Details on linking two VOXBOX units for stereo operation of compressors and de-essers.
Covers EQ input selection, EQ bypass, and the overall EQ section.
Details on Low Peak, Mid Dip, and High Peak frequency and boost/cut controls.
Explains De-Esser Bypass, Select, Threshold, and the Power indicator.
Details on IEC power connector, mains fuse, and ground terminals for hum reduction.
Covers MIC INPUT and LINE INPUT connectors and their pin-outs.
Details LINE INPUT (XLR) and PREAMP OUT (Phone/XLR) connections.
Covers INSERT INPUT and EQ OUT connectors for signal routing and final output.
Details LINK COMPRESSOR/DE-ESSER RCA connections and serial number recording.
Describes the signal path from input stages through compressor, EQ, and de-esser.
Covers phantom power, mic placement, grounding, and phase switch usage for optimal sound.
Details on the low-cut filter and the main input level control for signal adjustment.
Explains compressor controls (Attack, Release, Threshold) and techniques for optimal compression.
Explains EQ input routing and the passive Pultec-style EQ circuit with frequency bands.
Provides advice on EQ techniques, mic choice, and adjustments for Low Peak, Mid Dip, High Peak.
Details EQ adjustments and the de-esser's notch filter, threshold, and limiter mode.
Discusses optimal de-essing times, linking units, and using the de-esser link output.
Advice on preventing sibilance, gear choice, and combining EQ cuts with de-essing.
Explains how to use the DS meter and the function of the compressor/de-esser LINK switch.
Shares user feedback, tour usage, and technical circuit revisions from 2000.
Addresses common confusion regarding the 3-position EQ INPUT toggle switch and its routing.
Lists recommended tubes for stages and notes on identifying faulty tubes.
Describes DIP switch functions and notes on factory-set trims.
Lists required tools, setup, and regulated DC power supply voltages for calibration.
Detailed instructions for adjusting trims for EQ, compressor, and de-esser/limiter calibration.
Addresses problems like no power, no sound, incorrect levels, and dead channels.
Offers methods to diagnose and eliminate hum, noise, and ground loop issues.
Explains causes and solutions for microphonic tubes, signal hiss, and distortion.
Covers output issues, meter calibration, and understanding digital vs. analog levels.
Details output levels, headroom, THD, frequency response, and input impedance for both sections.
Covers general specs like power consumption, fuse type, dimensions, and weight.
Illustrates EQ curves for 12kHz and 20kHz, noting their unique shapes for musical reasons.
Displays curves for compressor (3:1) and limiter (5:1 to 10:1) thresholds.
Shows the notch depth curves for de-esser frequencies at 3kHz and 12kHz.
Blank templates for recording artist, song, mic notes, and engineer details for session recall.
| Type | Channel Strip |
|---|---|
| Microphone Preamp | Yes |
| Compressor | Yes |
| Equalizer | Yes |
| De-esser | Yes |
| Channels | 1 |
| Tube | Yes |
| Phantom Power | Yes |
| Polarity Reverse | Yes |
| High Pass Filter | Yes |
| Inputs | XLR |
| Outputs | XLR |
| Dimensions | 19 x 5.25 x 10 inches |