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Marantz SR5003 Service Manual

Marantz SR5003
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5
70
ENGLISH
BASIC
CONNECTIONS
BASIC OPERATION
ADVANCED
CONNECTIONS
SETUP
ADVANCED
OPERATION
TROUBLESHOOTING
OTHERS
NAMES AND
FUNCTION
OTHERS
Notes:
• Dolby Digital (2 channel L/R): Speakers for signal
with Dolby Surround are fully equipped.
• No sound is outputs from the surround speaker,
center speaker and subwoofer if the DVD disc has
no surround data.
• Surround modes other than Stereo are not available
during Dolby TrueHD, Dolby Digital Plus, or DTS-
HD playback.
If surround modes other than Stereo are selected
and Dolby TrueHD, Dolby Digital Plus, or DTS-
HD content is played, the surround mode setting is
disabled.
Abbreviations
L/R : Front speakers
C : Center speaker
SL/SR : Surround speakers
SBL/SBR : Surround back speakers
SubW : Subwoofer
LFE : Low frequency efects
ex : Extension
AUTO
When this mode is selected, the unit determines
whether the digital input signal is Dolby Digital,
Dolby Digital Surround EX, Dolby Digital Plus, Dolby
TrueHD, DTS-HD, DTS, DTS-ES, DTS 96/24 or PCM
audio.
Surround EX & DTS-ES will operate for multichannel
sources that have a Dolby Digital Surround EX or
DTS-ES auto trigger fl ag in the digital signal.
When a Dolby Digital or DTS signal is input, the
number of channels for which the corresponding
signal is encoded will be played.
Inputting a Dolby Digital two channel signal with
Dolby surround status automatically subjects that
signal to Pro Logic II x movie processing before play.
PCM 96 kHz source material can be played in this
mode.
Notes:
• When you use this mode with certain DVD and CD
players, performing operations such as skip or stop
may momentarily interrupt the output.
• When the signal is not decoded, the mode is changed
to AUTO mode automatically. See page 68 to
confi rm the available decoding modes.
SOURCE DIRECT
In the Source Direct mode, the tone control circuit
Acoustic EQ. and bass management confi guration
are bypassed for full-range frequency response and
the purist audio reproduction.
Notes:
• Speaker size is set to Front L/R = LARGE, Center =
LARGE, Surround L/R = LARGE and Subwoofer
= YES automatically. Tone controls, equalizer and
additional processing are deactivated.
• When you use this mode with certain DVD and CD
players, performing operations such as skip or stop
may momentarily interrupt the output.
• In SOURCE DIRECT mode, ACOUSTIC EQ and
M-DAX are not available.
PURE DIRECT
The Pure Direct mode further reduces sources of
noise in addition to effect of the Source Direct mode,
by blocking output from the video jacks (VIDEO,
S-VIDEO, COMPONENT VIDEO and HDMI) and
turning the FL display off.
Note:
• In PURE DIRECT mode, ACOUSTIC EQ and M-
DAX are not available.
EX/ES
This mode provides 6.1 channel surround for Dolby
Digital EX, and DTS-ES-encoded source material
such as DVD.
This mode cannot be used when an analog input has
been selected.
Dolby Digital EX
In a movie theater, fi lm soundtracks that have been
encoded with Dolby Digital Surround EX technology
are able to reproduce an extra channel which has
been added during the mixing of the program.
This channel, called surround back, places sounds
behind the listener in addition to the currently
available front left, front center, front right, surround
right, surround left and subwoofer channels.
This additional channel provides the opportunity
for more detailed imaging behind the listener and
brings more depth, spacious ambience and sound
localization than ever before.
Dolby Digital EX is not available in systems that do
not have without surround back speaker(s).
DTS-ES (Discrete 6.1, Matrix 6.1)
DTS-ES adds the surround center channel audio to
the DTS 5.1 channel format to improve the acoustic
positioning, and makes acoustic image movement
more natural with the 6.1 channel reproduction.
This unit incorporates a DTS-ES-decoder, which
can handle DTS-ES Discrete-encoded and DTS-ES
Matrix-encoded program sources from DVD, etc.
DTS-ES Discrete 6.1 features digital discrete
recording of all channels, including the surround back
channel(s), and higher quality audio reproduction.
DTS-ES is not available in systems that do not have
surround back speakers.
Surround Mode Input Signal Decoding
Output Channel Front information display
L/R C
SL
SR
SBL
SBR
SubW
Signal format indicators Channel status
Dolby H.P Dolby Surr.EX Dolby H.P
O----
2
DIGITAL EX L, C, R, SL, SR, S, LFE
Dolby D (5.1ch) Dolby H.P
O----
2
DIGITAL L, C, R, SL, SR, LFE
Dolby D (2ch) Dolby H.P
O----
2
DIGITAL L, R
Dolby D (2ch Surr) Dolby H.P
O----
2
DIGITAL L, R, S
Dolby Digital Plus (5.1ch) Stereo
O----
2
DIGITAL PLUS L, C, R, SL, SR, LFE
Dolby Digital Plus (6.1ch) Stereo
O----
2
DIGITAL PLUS L, C, R, SL, SR, S, LFE (,ex1)
Dolby Digital Plus (7.1ch) Stereo
O----
2
DIGITAL PLUS L, C, R, SL, SR, SBL, SBR, LFE
Dolby TrueHD (5.1ch) Stereo
O----
2
TrueHD L, R
Dolby TrueHD (6.1ch) Stereo
O----
2
TrueHD L, R
Dolby TrueHD (7.1ch) Stereo
O----
2
TrueHD L, R
DTS-ES Dolby H.P
O----
dts, ES L, C, R, SL, SR, S, LFE
DTS 96/24 Dolby H.P
O----
dts 96/24 L, C, R, SL, SR, LFE
DTS (5.1ch) Dolby H.P
O----
dts L, C, R, SL, SR, LFE
DTS-HD (5.1ch) Stereo
O----
dts-HD MSTR/HIRES L, C, R, SL, SR, LFE (,ex1,ex2)
DTS-HD (6.1ch) Stereo
O----
dts-HD MSTR/HIRES L, C, R, SL, SR, S, LFE (,ex1,ex2)
DTS-HD (7.1ch) Stereo
O----
dts-HD MSTR/HIRES
L, C, R, SL, SR, SBL, SBR, LFE
(,ex1,ex2)
Multi Ch-PCM Dolby H.P
O----
PCM L, C, R, SL, SR, LFE
PCM Dolby H.P
O----
PCM L, R
HDCD Dolby H.P
O----
PCM, HDCD L, R
ANALOG Dolby H.P
O----
ANALOG L, R
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71
ENGLISH
BASIC
CONNECTIONS
BASIC OPERATION
ADVANCED
CONNECTIONS
SETUP
ADVANCED
OPERATION
TROUBLESHOOTING
OTHERS
NAMES AND
FUNCTION
OTHERS
2 MODE
(Dolby Digital, Pro Logic
II
x MOVIE, Pro Logic
II
x
MUSIC, Pro Logic
II
x GAME)
This mode is used with source materials encoded in
Dolby Digital and Dolby Surround.
DOLBY DIGITAL
This mode is enabled when playing source materials
encoded in Dolby Digital.
Playing multichannel-encoded 5.1 channel Dolby
Digital sources provides 5 main audio channels (left,
center, right, surround left and surround right) and a
Low Frequency Effect channel.
Dolby Digital EX decoding is not available in this
mode.
Dolby Pro Logic IIx has 5 modes:
Pro Logic
II
x MOVIE
This mode provides 6.1 or 7.1 channel surround
sound from Dolby Surround, encoded stereo movie
soundtracks.
Pro Logic
II
x MUSIC
This mode provides 6.1 or 7.1 channel surround
sound from conventional stereo sources (analog or
digital), such as CD, tape, FM, TV, stereo VCR, etc.
Pro Logic
II
x GAME
This mode
restores the impact low-frequency
surround effects by routing them to the system’s
subwoofer.
5.1ch + Pro Logic
II
x Movie
This mode provides 7.1 channel surround sound from
5.1 channel sources
movie soundtracks
.
5.1ch + Pro Logic
II
x Music
This mode provides 6.1 or 7.1 channel surround sound
from 5.1 channel sources music soundtracks.
Notes:
• Pro Logic IIx mode will decode as Pro Logic II
mode when the SURR. B is set to “NONE” from
SPEAKER SETUP menu. (See page 33)
• Pro Logic IIx mode is available for a 2 channel input
signal which is encoded in Dolby Digital, HDCD or
PCM format.
dts
dts, Neo:6 Cinema, Neo:6 Music
This mode is for DTS-encoded source materials
such as laserdisc, CD and DVD. Neo:6 is for some 2
channel sources.
dts
This mode is enabled when playing source materials
encoded in dts multichannel.
Playing multichannel encoded-5.1 channel dts
sources provides five main audio channels (left,
center, right, surround left and surround right) and a
Low Frequency Effects channel.
dts-ES decoding is not available in this mode.
The DTS mode cannot be used when an analog
input has been selected.
Neo:6 Cinema, Neo:6 Music
This mode decodes 2 channel signals into 6 channel
signals using high-accuracy digital matrix technology.
The DTS Neo:6 decoder has near-discrete properties
in the frequency characteristics of the channels as
well as in channel separation.
According to the signals to be played back, DTS Neo:6
uses either the Neo:6 Cinema mode optimized for
movie playback or the Neo:6 Music mode optimized
for music playback.
Note:
•
The Neo:6 mode is available for 2 channel input
signals which are encoded in Dolby Digital, HDCD
or PCM format.
CIRCLE SURROUND
II
(CS
II
-CINEMA, CS
II
-MUSIC, CS
II
-MONO)
Circle Surround is designed to enable multichannel
surround sound playback of non-encoded and
multichannel encoded material.
Backward compatibility provides listeners with up to
6.1 channels of surround performance from an entire
collection of music and fi lm, including broadcast,
videotape and stereo recorded music.
Depending on source material, you can select CSII-
Cinema mode, CSII-Music mode or CSII-Mono
mode.
Note:
• The CS II mode is available for 2 channel input
signals which are encoded in Dolby Digital, HDCD
or PCM format.
STEREO
This mode bypasses all surround processing.
In stereo program sources, the left and right channels
play normally when PCM audio or analog stereo is
input.
With Dolby Digital and DTS sources, the 5.1 channels
are converted to two channel stereo. 96 kHz PCM
source material can be played back in stereo mode.
Dolby Virtual Speaker
Dolby Virtual Speaker technology uses proprietary
technology of Dolby Laboratories to create a virtual
surround sound fi eld using only two speakers for the
front channels, allowing the user to experience sound
as if surround speakers were actually being used.
MULTI CH. (MOVIE, MUSIC)
This mode is used to create a wider, deeper and more
natural soundstage from two channel source material.
This is done by feeding the left channel signal to
both the left front and left surround speakers and the
right channel signal to both the right front and right
surround speakers. Additionally, the center channel
reproduces a mix of the right and left channels.
Note:
• Audio is not output from the CENTER channel
when using MULTI CH. MUSIC mode.
Neural Surround
Neural Surround
TM
represents the latest advancement
in surround technology developed for music.
Neural Surround
TM
employs psychoacoustic
frequency domain processing which allows delivery
of a more detailed sound stage with superior channel
separation and localization of audio elements.
System playback is scalable from 5.1 to 7.1 multi-
channel surround playback.
CAUTION
Note for DTS
•
To connected DVD player, laserdisc player or CD
player needs to support DTS digital output. You
may not be able to play some DTS source signals
from certain CD players and LD players even if
you connect the player to the unit digitally. This is
because the digital signal has been processed
(such as the output level, sampling frequency or
frequency response), and the unit cannot recognize
the signal as DTS data.
• Depending on the player used, DTS play may
produce a short noise. This is not a malfunction.
• While signals from a DTS laserdisc or CD are
playing in another surround mode, you cannot
switch to digital input or from digital input to analog
input from the INPUT SETUP in the MAIN MENU
or by pressing the A/D button.
• You can not listen to DTS-encoded software in a
multiroom.
•
The outputs for VCR OUT, TAPE OUT and CD/CD-R
OUT output analog audio signals only. Do not record
from CDs or LDs that support DTS using these
outputs. If you do, the DTS-encoded signal will be
recorded as noise.
Note or Dolby Digital Surround EX
•
When playing Dolby Digital Surround EX-encoded
software in 6.1 channels, it is required to set the
EX/ES mode.
• Note that some Dolby Digital Surround EX-encoded
software does not contain the identifi cation signal.
In this case, set the EX/ES mode manually.
Note for 96 kHz/192 kHz PCM audio
•
The AUTO, Pure Direct, and Stereo modes can be
used when playing PCM signals with a sampling
frequency of 96/192 kHz (such as from DVD-Video/
Audio discs).
•
Certain DVD player models inhibit digital output. For
details, refer to the player’s operation manual.
•
Some DVD discs feature copy protection. When using
such disc, 96 kHz PCM signal are not output from the
DVD player. For details, refer to the player’s operation
manual.
Note for HDCD
•
HDCD is effective only through digital input.
•
You may not be able to play some HDCD source
signals from certain CD players if you connect the
player to the unit digitally. This is because the digital
signal has been processed (such as the output level,
sampling frequency or frequency response) and the
unit cannot recognize the signal as HDCD data.
SR5003U1ENG33.indd71 08.7.44:49:24PM

Table of Contents

Other manuals for Marantz SR5003

Preview: User Guide
User Guide81 pages
Preview: Specifications
Specifications2 pages
Preview: Owner's Manual
Owner's Manual75 pages

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Marantz SR5003 Specifications

General IconGeneral
Channels7.1
HDMI Inputs3
HDMI Outputs1
Component Video Inputs3
Component Video Outputs1
Digital Audio Inputs2 Optical, 2 Coaxial
Analog Audio Inputs6
Response Bandwidth10 Hz - 100 kHz
Signal-To-Noise Ratio105 dB
Total Harmonic Distortion0.08%
Input Sensitivity200 mV
Tuner BandsAM/FM
Dolby DecodingDolby Digital Plus, Dolby TrueHD
DTS DecodingDTS-HD Master Audio
Input Impedance47 kOhm
Video ConversionAnalog to HDMI
Audio DecodersDolby TrueHD, DTS-HD Master Audio
Power Output90 W per channel (8 ohms, 20 Hz - 20 kHz, 0.08% THD)

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