stereo system to maximize stereo imaging.
6. YOU CAN LISTEN AT LOW VOLUMES
WITH EQUAL PLEASURE
A continuously
variable
loudness control lets you
enjoy full frequency response and warmth of
music regardless of the room volume you choose.
As volume is reduced, the frequency response is
adjusted to complement the human ear response
characteristics, the Fletcher
Munson
effect.
7. TAPE RECORDING AND PLAYBACK MADE EASY
Tape input, tape output and switching facilities
are provided for two three-head tape recorders.
Simply push a button to listen to either one - - or
record from any selected source on either or both
- - or - - copy from one tape recorder to another
while listening to an entirely different program.
You can instantaneously monitor either tape
recorder.
8. STEREO MICROPHONE INPUT MAKES
RECORDING EASY
Microphones in stereo may be used with the C 29.
By tuning the input selector to MIC the
microphone set-up will be connected to either one
or both of the two tape recorders connected to
your system.
9. THE CONSTANT LOUDNESS
BALANCE CONTROL
The McIntosh balance control adjusts each chan-
nel independently for stereo imaging without
changing overall stereo volume in the room. While
natural balance is at the center of the control; ad-
justment
to either right or left compensates for
program variations or room acoustic differences.
10. LISTEN TO YOUR QUIET RECORDS, QUIETLY
Any unwanted noise (hiss, rumble, fry, etc.) can be
reduced with the filter switch. It allows the reduc-
tion of low frequency noise and high frequency
noises (below 50 Hz and above 7 kHz).
11. CONTROL REMOTE LOUDSPEAKERS FROM
YOUR PREAMPLIFIER
Through a unique McIntosh design, you have
ON/OFF control of two separate sets of stereo
speakers when used with an accessory switching
relay (the McIntosh SCR 2).
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