The parameter controls the modulation strength. This oscillator provides the base material for metallic
sounds, bells, metallophones, or the next 386 DX hit.
When the fm oscillator is selected, the
slightly different role than usual: instead of controlling the main pitch
of the note, it controls the modulator frequency, and has a drastic
A palette of 8-bits sounding waveforms obtained by applying bitwise operations to a basic sawtooth
wave (something now known as “biscuiting”).
This waveform is a shamelessly naive square wave. The parameter controls the pulse-width. Contrary
, this waveform stinks aliasing – but for notes below C2 it is not a real problem: it becomes
much more aggressive and “in your face” than
: filtered noise generator
Ambika – User manual | Mutable Instruments http://mutable-instruments.net/ambika/manual
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