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Lists technical details including type, diaphragm, frequency range, polar pattern, sensitivity, impedance, SPL, S/N ratio, noise level, dynamic range, power, weight, and size.
Presents a graphical representation of the microphone's frequency response across different frequencies.
Illustrates the microphone's directional sensitivity, showing its pickup pattern at various angles.
Details positioning for stereo overhead drum recording, including separation and height.
Explains single microphone placement for drums, focusing on centering and distance.
Explains the function and importance of the pop filter for vocal recordings, preventing plosives.
Describes the custom shockmount designed to isolate the microphone from stand vibrations and noise.
Discusses the impact of microphone cables on sound quality and recommends specific brands.
Details microphone positioning for grand pianos, covering upper and lower strings.
Explains microphone placement for upright pianos, considering top and front panel options.
Explains ideal room conditions and vocalist positioning for clear recordings.
Details microphone placement near the twelfth fret for guitar.
Details microphone placement near the guitar bridge for brighter tone.
Explains close miking techniques for guitar amplifiers.
General| Type | Condenser |
|---|---|
| Polar Pattern | Cardioid |
| Frequency Response | 20 Hz - 20 kHz |
| Output Impedance | 150 ohms |
| Power Requirements | 48V Phantom Power |
| Connector | 3-pin XLR |
| Capsule Size | 1 inch |
| Max SPL | 130 dB SPL |
| Equivalent Noise Level | 18 dB (A-weighted) |
| S/N Ratio | 76 dB (Ref. 1 Pa A-weighted) |
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