to that parameter. Release the switch when you’re done with the
assignment.
Tuned parameter X behaviour
By default the 2 oscillators and the filter have an offset of 1
semitone by MIDI note. The filter tracking can still be
enabled/disabled with the follow switch. On the two oscillators
and the filter the X offset is not linear but quantized, this allow
for microtonal/macrotonal playing. At center position the
oscs/filter don’t track, there are then 6 positions on the positive
and negative side : ⅛ semitone - ¼ semitone - ½ semitone - 1
semitone - 1 tone - 2 tone.
High-resolution automation
One of the most important, if not the most important feature of
MK2. All the automation are now recorded at a very high
resolution (1024PPQN). Allowing for very smooth parameter and
expressivity curves. Recording an automation works just like
MK1. Enable/disable record with the [RECORD] key, and turn any
knobs to record an automation.
Expressivity
Of course, you can also record expressivity when they are
enabled. Simply play the minikeyboard expressively !
Step-quantized automation
Sometimes, a good old step-quantized automation is actually
more suited. When you hold the [UP] key in record mode, and
record any kind of automation, those willb e step-quantized just
like in MK1, release [UP] and it will immediately go back to high-
resolution, making it possible to blend quantized and
unquantized steps in the same automation.
Overdub
The standard behaviour is that the automation recoding will
shortly stop after you stop moving a knob. If you want to
overdub the automation lane you are currently recording, hold
[RECORD]. It will overwrite the previous automation as the
pattern moveforward, as long as [RECORD] is held.
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