Oberheim OB-SX - Electric Piano

USING THE PROGRAMS
Here are some suggestions on the use of some of the patches.
Al Bl B4 Cl
AC1
A3 B3 AB3
C3 AC3 BC3
ABC3
BRASS:
STRINGS
A4 • ELECTRIC PIANO:
A5 B5 C2 C5
ABC5
These are five different kinds of brass programs.
The brightness can be changed with the FILT FREQ
control. OSC 2 DETUNE will change the "ensemble"
effect on Al and AC1.
These are seven different string programs. A3
and C3 are an octave lower and deeper sounding
than the others. C3 has a slow attack, while
AC3 and BC3 have more vibrato. ABC3 has more
of a "solo" sound created by decreasing the
amount of vibrato and detune. AB3 has a fast
attack and decay.
Changing the LFO RATE and the flSC 2 DETUNE con
trols will change the vibrato and the "depth"
of the sound. The Modulation Pedal can be used
to bring the Vibrato in and out.
This program works best with the Keyboard Trans
pose switch in the middle position and without a
Filter pedal. To simulate this sound, Oscillator
2 of each voice is set rather high above Oscil
lator
1 and becomes too noticable if played in
the lower range or with the Filter open.
ORGAN: These five organ programs have distinctly differ
ent sounds. The speed of the "leslie" effect in
all but B5 can be changed using the LFO RATE
control.
A6 AB5 AB6 WINDS: These are four different wind style programs.
ABC6 A6 is a flat sound, ABC6 has more bite, while AB5
is more nasal, and AB6 is in unison. ABC6 in par
ticular can be modified substantially with the
ATTACK control, and all of the programs should
be played with generous use of the Vibrato and
Bend levers.
LEAD SYNC: This is a UNISON program which has OSC 2 in Sync
with OSC 1. The LFO RATE will control the sweep
of OSC 2.
A8
-4-
Scan by Manual Manor
http://www.markglinsky.com/ManualManor.html